Why are there so many VF grades?

Two grades for Good, G4 and G6
Two grades for V. Good, VG8 and VG10
Two grades for Fine, F12 and F15
Four grades for V. Fine, VF20, VF25, VF30, and VF35
Two grades for Ex. Fine, EF40 and EF45
Can you really accurately tell between the four VF grades?
Two grades for V. Good, VG8 and VG10
Two grades for Fine, F12 and F15
Four grades for V. Fine, VF20, VF25, VF30, and VF35
Two grades for Ex. Fine, EF40 and EF45
Can you really accurately tell between the four VF grades?
DPOTD-3
'Emancipate yourselves from mental slavery'
CU #3245 B.N.A. #428
Don
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Comments
<< <i>Two grades for Good, G4 and G6
Two grades for V. Good, VG8 and VG10
Two grades for Fine, F12 and F15
Four grades for V. Fine, VF20, VF25, VF30, and VF35
Two grades for Ex. Fine, EF40 and EF45
Can you really accurately tell between the four VF grades? >>
I suppose some can. Maybe au50 and au53 shud be lumped in with xf40 and xf45. I could also see vf20, vf25, vf30, vf35, vf40, vf45 and xf50 and xf53.
Money and marketing. These grades include what many collectors, having limited budgets, feel is the max amount of wear that they want to see on 19th/20th-century coins in their collections.
At a higher level, the same thing has occurred for AU coins (50-53-55-58).
RMR: 'Wer, wenn ich schriee, hörte mich denn aus der Engel Ordnungen?'
CJ: 'No one!' [Ain't no angels in the coin biz]
<< <i>Huge difference between a VF20 and a VF35...HUGE! >>
Yep. The VF grade just happens to be where there is a lot of differentiation in a single grade range. In some coins, I don't even wanna think about a 20, but a 35 would be choice.
<< <i>"Why are there so many VF grades?"
Money and marketing. These grades include what many collectors, having limited budgets, feel is the max amount of wear that they want to see on 19th/20th-century coins in their collections.
At a higher level, the same thing has occurred for AU coins (50-53-55-58). >>
Because type collectors on a tight budget love this grade level.
If I had my druthers, I would subtract one grade from the VF span and allocate it to XF.
Think about it.
Very=20
*****?=30
Extremely=40
it's linguistic laziness more than anything else.
<< <i>My opinion is that it is an anomaly or flaw of the Sheldon scale that allocated so many grades in the VF range. In reality, there is no consistent difference between a 25 and a 30 in appearance or value.
If I had my druthers, I would subtract one grade from the VF span and allocate it to XF. >>
Yes ... the Sheldon grading scale is lipstick on a pig that should have never left the barnyard. It was a myopic system that was antiquated as soon as it was published and was based on the retail selling price of a small, focused coin type at a defined point in time. The fact that it became the "standard" system is amusing and demonstrates the lack of collector and dealer sophistication during the 1950s - 1970s. Sheldon's "logic" was, well, laughable if you actually read his "account" of how the system was developed. Nonetheless, it's our glorious, tarted-up pig now.
Edited to correct spelling...
See http://www.doubledimes.com for a free online reference for US twenty-cent pieces
<< <i>Did the original Sheldon Scale assign the adjective descriptions or just the numbers? >>
Both ... sort of. It assigned a number (i.e. selling price) to the qualitative description used (i.e. qualitative grade). Read "Early American Cents" and you will see his logic and justification.
See http://www.doubledimes.com for a free online reference for US twenty-cent pieces
<< <i>
<< <i>Did the original Sheldon Scale assign the adjective descriptions or just the numbers? >>
Both ... sort of. It assigned a number (i.e. selling price) to the qualitative description used (i.e. qualitative grade). Read "Early American Cents" and you will see his logic and justification. >>
Thanks. I should read that book.
But did he assign the "Very Fine" description to the 20-35 grade range? Or was it assigned by somebody else (the ANA or ANACS?) later?
RMR: 'Wer, wenn ich schriee, hörte mich denn aus der Engel Ordnungen?'
CJ: 'No one!' [Ain't no angels in the coin biz]
<< <i>
<< <i>
<< <i>Did the original Sheldon Scale assign the adjective descriptions or just the numbers? >>
Both ... sort of. It assigned a number (i.e. selling price) to the qualitative description used (i.e. qualitative grade). Read "Early American Cents" and you will see his logic and justification. >>
Thanks. I should read that book.
But did he assign the "Very Fine" description to the 20-35 grade range? Or was it assigned by somebody else (the ANA or ANACS?) later? >>
Using his system a common variety 1794 cent in Very Fine condition sold for $20, while the same coin in EF sold for $40. He therefore assigned the EF grade the numerical equivalent of 40 and the VF grade the numerical equivalent of 20.
A Choice EF was an EF-45 and a Choice VF was a VF-30, and the market added 25 and 35 just because nature abhors a vacuum.
<< <i>Sheldon assigned 20 and 30 to the VF grade, 40 to EF, and 50 to AU. Additional numerical grades began to appear as the prices of coins rose in subsequent decades. I do not think that Sheldon's VF-AU descriptors correspond well to how we interpret his numerical grades today. >>
Well, no it doesn't. Sheldon used these numbers to approximate the typical spread in value between grades. This, of course, is much different now. With the lowball registry we'd have to change PO-1 ("basal state") to something like Poor-50, followed by Fair-10 and then AG-3 and so on...
Eric
In honor of the memory of Cpl. Michael E. Thompson
<< <i>If one simply does away with the letter description, which does nothing anyway, then the problem evaporates. >>
Good point.
We really don't need any of the letter descriptions.
<< <i>If one simply does away with the letter description, which does nothing anyway, then the problem evaporates. >>
I dunno. TomB's response smacks of too much common sense.....
RMR: 'Wer, wenn ich schriee, hörte mich denn aus der Engel Ordnungen?'
CJ: 'No one!' [Ain't no angels in the coin biz]
<< <i>
<< <i>If one simply does away with the letter description, which does nothing anyway, then the problem evaporates. >>
Good point.
We really don't need any of the letter descriptions. >>
Well, I never really considered them as they moved. Select, Choice etc. Gem in to Superb. Gem. Fortunately, the coins have not
Best,
Eric
<< <i>If one simply does away with the letter description, which does nothing anyway, then the problem evaporates. >>
That would be a disaster. It would take me forever to complete my Morgan Grading Set.
DPOTD-3
'Emancipate yourselves from mental slavery'
CU #3245 B.N.A. #428
Don
I'd like to see how many could take a 20,25,30 and 35 of the same given coin and arrange them in grade order without being able to see the labels.
Very few, I'd wager.
RIP Mom- 1932-2012
<< <i>Using his system a common variety 1794 cent in Very Fine condition sold for $20, while the same coin in EF sold for $40. He therefore assigned the EF grade the numerical equivalent of 40 and the VF grade the numerical equivalent of 20. >>
This. Sheldon didn't describe grades, he "equated" price with specific dealer's and collector's qualitative grades.
See http://www.doubledimes.com for a free online reference for US twenty-cent pieces
For example taking a price from Sheldon's first book, Early American Cents, which was published in 1949, an 1814 large cent with the plain 4 (S-295) had a Basal Value of 25 cents. Therefore a cent in VG-7 was worth $1.75; one in VG-10 was worth $2.50. A coin in EF-40 would have fetched $10.00 using this system and an MS-60 was worth $15.00.
Why was there a big gap between VF-20 and EF-40? I think that it something to do with the prices "elite collectors" were willing or could pay. First EF-40 according to Sheldon's grading guide was our AU-55. In Sheldon's words, an EF-40 coin shows "Only the slightest trace of wear, or of rubbing, is to be seen on the high points. For an AU-50 the description was "Close attention or the use of a glass should be necessary to make out that the coin is not in perfect Mint State. Typically, the AU-50 coin retains its full sharpness but is darkened or is a little off-color."
Given these strict standards you can see that an EF coin was a truly outstanding piece that is far above what we think of the EF-40 grade today. Therefore there was a vast price difference between the worn coins that most collectors pursued and the near perfect coins the top flight collectors wanted, and that was reflected in the gap from VF-20 to EF-40.
By the time Sheldon published the 1958 edition of his book even he was admitting that is Basal State times numerical grade system was breaking down. He outlined some arcane rules about how finest known coins were two or three times the "normal" prices, but a perceptive reader could see that his pricing system, even if it had worked in the late '40s and early '50s was not then valid. But then the concept of "precision grading" came into vogue because the abuses that were occurring in the coin market, and the Sheldon scale without its pricing component came into use.
<< <i>Sheldon's original scale was developed as a pricing methodology. The idea was to assign a "Basal Value" to every early large cent variety. A large cent in BS-1 (BS = Basal State) was an UNDAMAGED piece that had extensive wear, but could still be attributed by its Sheldon variety. The coin did not need have a readable date, and believe me you can attribute dateless large cents by Sheldon variety because I've done it. Then to estimate the value of the piece one multiplied the Basal Value by the numerical grade.
For example taking a price from Sheldon's first book, Early American Cents, which was published in 1949, an 1814 large cent with the plain 4 (S-295) had a Basal Value of 25 cents. Therefore a cent in VG-7 was worth $1.75; one in VG-10 was worth $2.50. A coin in EF-40 would have fetched $10.00 using this system and an MS-60 was worth $15.00.
Why was there a big gap between VF-20 and EF-40? I think that it something to do with the prices "elite collectors" were willing or could pay. First EF-40 according to Sheldon's grading guide was our AU-55. In Sheldon's words, an EF-40 coin shows "Only the slightest trace of wear, or of rubbing, is to be seen on the high points. For an AU-50 the description was "Close attention or the use of a glass should be necessary to make out that the coin is not in perfect Mint State. Typically, the AU-50 coin retains its full sharpness but is darkened or is a little off-color."
Given these strict standards you can see that an EF coin was a truly outstanding piece that is far above what we think of the EF-40 grade today. Therefore there was a vast price difference between the worn coins that most collectors pursued and the near perfect coins the top flight collectors wanted, and that was reflected in the gap from VF-20 to EF-40.
By the time Sheldon published the 1958 edition of his book even he was admitting that is Basal State times numerical grade system was breaking down. He outlined some arcane rules about how finest known coins were two or three times the "normal" prices, but a perceptive reader could see that his pricing system, even if it had worked in the late '40s and early '50s was not then valid. But then the concept of "precision grading" came into vogue because the abuses that were occurring in the coin market, and the Sheldon scale without its pricing component came into use. >>
Textbook answer that isn't out of a textbook. Perfect
It's the MS range that seems crazy to me! 11 grades of unc with pluses....22 grades of unc.....get real!!!
With the inaccuracies of the human graders, 4 VF grades is just dumb.
"“Those who sacrifice liberty for security/safety deserve neither.“(Benjamin Franklin)
"I only golf on days that end in 'Y'" (DE59)
<< <i>If a computer could accurately grade consistently, then 4 grades for VF does make sense.
With the inaccuracies of the human graders, 4 VF grades is just dumb. >>
No really. There are significant differences in the look and the price between VF-20 and VF-35, but it usually only shows up in the price for scarce and expensive pieces. For example a 1796 quarter in VF-35 is lot more desirable and expensive than one in VF-20. The problem is in recent years the EF grade as been "degraded" to include more coins that are really near miss VF-35 or even VF-30. I'll grant you that people can disagree about whether a coin grades VF-30 or 35, but the differences between VF-20 and 35 are much better defined among expert graders. And the beauty of it is, properly applied, the VF-35 grade helps to preserve the integrity of the EF-40 grade.
<< <i>Maybe au50 and au53 shud be lumped in with xf40 and xf45. I could also see vf20, vf25, vf30, vf35, vf40, vf45 and xf50 and xf53. >>
I would never want to see an AU-50 or 53 as part of the XF category. Any AU grade denotes "full detail", which would be an inaccurate description for an XF coin.
<< <i>"Why are there so many VF grades?"
Money and marketing. These grades include what many collectors, having limited budgets, feel is the max amount of wear that they want to see on 19th/20th-century coins in their collections.
At a higher level, the same thing has occurred for AU coins (50-53-55-58). >>
You really see the AU issues SDR raised in Draped Bust $s. The net grading that goes on in this series just makes the phenomenon worse. Practically speaking, I can usually tell the difference between an AU 50 and an AU 55, or an AU 53 and an AU 58. But oftentimes, I think the difference between a 50 and 53, or 53 and 55 is arbitrary. A 58 should be a slider; if not, imo, it's overgraded.
"Seu cabra da peste,
"Sou Mangueira......."
<< <i>
<< <i>If one simply does away with the letter description, which does nothing anyway, then the problem evaporates. >>
Good point.
We really don't need any of the letter descriptions. >>
And that was Sheldon's intent.
See http://www.doubledimes.com for a free online reference for US twenty-cent pieces
<< <i>
<< <i>
<< <i>If one simply does away with the letter description, which does nothing anyway, then the problem evaporates. >>
Good point.
We really don't need any of the letter descriptions. >>
And that was Sheldon's intent. >>
Isn't this sort of happening already with market grading (AU60-63?).
term. Poor. If they would have simply used two negative terms at the lowest
level VF would not have been abused.
Keeper of the VAM Catalog • Professional Coin Imaging • Prime Number Set • World Coins in Early America • British Trade Dollars • Variety Attribution
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<< <i>My opinion is that it is an anomaly or flaw of the Sheldon scale that allocated so many grades in the VF range. In reality, there is no consistent difference between a 25 and a 30 in appearance or value.
If I had my druthers, I would subtract one grade from the VF span and allocate it to XF. >>
How about...
Not Good 1,2,3
Good 4,6,8
Fine 10,12,15
VF 20,25,30
XF 35,40,45,
AU 50,53,55
UNC 58,60,61
Not Gem 62,63,64
<< <i>
<< <i>If one simply does away with the letter description, which does nothing anyway, then the problem evaporates. >>
I dunno. TomB's response smacks of too much common sense.....
Becasue the letter give the observer an adjective to think about and a number does not.
<< <i>If one simply does away with the letter description, which does nothing anyway, then the problem evaporates. >>
Does that mean I'll have to change my name in here? Will I be become obsolete?
Michael Kittle Rare Coins --- 1908-S Indian Head Cent Grading Set --- No. 1 1909 Mint Set --- Kittlecoins on Facebook --- Long Beach Table 448
<< <i>Can you really accurately tell between the four VF grades? >>
Better than I can often distinguish between the ten MS grades.