New Macro Lens - first couple of clicks

Stuck this by accident in the Set Registry Forum, but meant to put it here.
Nikon AF 200mm f4 D on D7000. On camera SB800 Flash with ring flash adapter and bottom half blocked. No enhancement AT ALL.

Nikon AF 200mm f4 D on D7000. On camera SB800 Flash with ring flash adapter and bottom half blocked. No enhancement AT ALL.


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Latin American Collection
https://imdb.com/name/nm1835107/
You get good results with a ring light. I gave up on it.
Lance.
Very nice!
That's a lens I've always wanted.... A sweet one!
Great work
Happy, humble, honored and proud recipient of the “You Suck” award 10/22/2014
Keeper of the VAM Catalog • Professional Coin Imaging • Prime Number Set • World Coins in Early America • British Trade Dollars • Variety Attribution
You say no enhancement but I assume you mean post-processing, correct? Which Picture Control mode did you use, and which Sharpening, Contrast, Saturation, Brightness and Hue settings?
http://macrocoins.com
<< <i>Very nice. The MPL Lincoln seems a bit out of focus, tiny bit. Is the IHC doubled? >>
I think they are both a tad out of focus. I was focusing manually and just trying to get the working distance right, not paying too much attention to level or the sort.
As for post processing, there was none. I merely imported them into iPhoto, cropped them, posted them onto my Flickr account, and linked to them here. No hue, brightness, sharpness, anything except whatever the camera does by default in "auto" mode.
Empty Nest Collection
Matt’s Mattes
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Your lighting is at a high enough angle that you can see the basining of the MPL fields. You're getting direct reflection on the bust and the fields just around the bust. As you go farther out toward the rim the angle changes and you get less reflection, so it looks darker. It's a nice look for an MPL, emphasizing the bust and immediate field areas. The IHC has a flat field so it reflects more evenly and gives a brighter look right to the edge.
http://macrocoins.com
"Inspiration exists, but it has to find you working" Pablo Picasso
<< <i>Nice lens. The 200mm macro is my go-to lens. The only time I use a shorter one is when shooting larger coins.
You get good results with a ring light. I gave up on it.
Lance. >>
How far away for a dollar sized coin Lance?
K
My 1866 Philly Mint Set
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<< <i>
<< <i>Nice lens. The 200mm macro is my go-to lens. The only time I use a shorter one is when shooting larger coins.
You get good results with a ring light. I gave up on it.
Lance. >>
How far away for a dollar sized coin Lance?
K >>
If I max out the copy stand a silver dollar won't fit in the frame. I think it's about 30" from the end of the lens to the coin. If it's important to you I can measure it exactly.
Lance.
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Shall I assume the "key" to your excellent photo was due to you blocking half of your ring flash?
Enjoyed numismatic conversations with Eric P. Newman, Dave Akers, Jules Reiver, David Davis, Russ Logan, John McCloskey, Kirk Gorman, W. David Perkins...
Nikon 200mm AF Micro lens review by Mark Goodman
http://macrocoins.com
What is the approx. cost of what you are using from camera, lens,stand,light?
How long does it take a older challenged person to do semi decent work or is it even possible?
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working on proof shield nickels # 8 with a bullet!!!!
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<< <i>Renomedphys
Shall I assume the "key" to your excellent photo was due to you blocking half of your ring flash? >>
In a word, yes.
In more words, leaving the bottom half of the ring exposed creates an artificial looking light, mainly because this is just not how we look at coins. Usually, we look at coins with a single light source and both or one eye open. Usually we try to hold the coin such that the lighting is direct but not reflecting and distracting our eyes. This is the closest I have been able to get to that optimum scenario.
Empty Nest Collection
Matt’s Mattes
<< <i>Fantastic, a few years back after seeing all the great pics posted on this site I went out and bought a cannon rebel T1i and looked at the 300 page owners manual and lost intrest before I even bought a lens.
What is the approx. cost of what you are using from camera, lens,stand,light?
How long does it take a older challenged person to do semi decent work or is it even possible? >>
The D7000 body is perhaps $1200, and you can pick up the 200mm AF Micro for perhaps $1200 used. Copy stand is a few hundred. Lights another $50-$100 depending on what you do. Maybe $3000 total.
You can put together a MUCH cheaper setup though. Your T1i can do just as well as the D7000 if you choose to use flash, or even better if you use continuous lighting. A number of <$200 (even <$50) lenses have performance at macro magnifications equal or better than the 200mm AF Micro for web publishing. You will still need a copy stand or tripod. Take a look at this thread on how to put together a setup for <$400 (way under since you already have the camera), also capable of taking high mag pics of varieties if that's your thing. Plus there are lots of folks around that will help you get the most from it...
Under $400 setup
http://macrocoins.com
NGC registry V-Nickel proof #6!!!!
working on proof shield nickels # 8 with a bullet!!!!
RIP "BEAR"
<< <i>
<< <i>
<< <i>Nice lens. The 200mm macro is my go-to lens. The only time I use a shorter one is when shooting larger coins.
You get good results with a ring light. I gave up on it.
Lance. >>
How far away for a dollar sized coin Lance?
K >>
If I max out the copy stand a silver dollar won't fit in the frame. I think it's about 30" from the end of the lens to the coin. If it's important to you I can measure it exactly.
Lance. >>
Thank you Lance. Perhaps a 105 would be better for me.
My 1866 Philly Mint Set
Lance.
One option is to use a 105mm macro on its own for Dollars to Quarters, and then add a 2x teleconverter for Nickels to Dimes and smaller. This will essentially make your working distance pretty constant across the full range of coin sizes. The disadvantage is the teleconverter reduces the aperture, so the smaller coins will lose two stops, but that can be an acceptable tradeoff to keep relatively fixed lighting independent of coin size. It also gives you an option for medium magnification variety shots, as it will take the 1:1 capable 105mm to 2:1 capable 200mm.
You can play the teleconverter game with a 90mm, 85mm, or 60mm lens as well. Even the venerable 55mm Micro will give reasonable working distances with this technique.
Another option is to go with a Zoom macro lens. The Nikon 70-180mm Micro is pretty much purpose-built for coin photography. Use it at 70-100mm for Dollars and Halves, and 120-180mm for Quarters to Dimes. It is around the same price range as the 200mm. With it you can fix your setup for lighting and working distance, and just zoom the lens to frame the coin. If you are tolerant of manual focus the Vivitar 90-180 Flat Field Macro is another good choice, though the max magnification is a bit lower so won't fill the frame with a Cent.
http://macrocoins.com
<< <i>Another option is to go with a Zoom macro lens. The Nikon 70-180mm Micro is pretty much purpose-built for coin photography. Use it at 70-100mm for Dollars and Halves, and 120-180mm for Quarters to Dimes. It is around the same price range as the 200mm. >>
True. The difference between 180 and 200 at the long end is not much. For an APS-C format camera, a big advantage of this over the 200 mm would be the fact that you can't shoot full slab shots with the 200 (full frame you can). You probably won't lose any money on this lens, either. It currently sells used for more than it originally cost new, as it was discontinued about 10 years ago and is in high demand.
Keeper of the VAM Catalog • Professional Coin Imaging • Prime Number Set • World Coins in Early America • British Trade Dollars • Variety Attribution
http://macrocoins.com
Please give me a rough idea of how far the lens will be from a 3c silver, and a dollar, with a 105.
Thank you for your help.
K
My 1866 Philly Mint Set
with a 3c silver you will be about 6.25 inches.
with a Nikon 200AF 24 inches from a dollar and about 10.25 from a trime.
The 200 is a long lens and your copystand will need to be quite high. When I look through the viewfinder with a dollar on the 200, I can just barely reach the dollar with my arm to move it around.
My 1866 Philly Mint Set