In my experience, the cameo contrast allows the camera (and photographer) to focus better on a proof than with a non-cameo. My thought to your question is a brilliant proof with various colors that change with location and tilt.
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Indian quarter and half eagles are a real pain. Colorful proof coins are also problematic. A lot of times you’re deciding between luster, color, and contrast.
Years ago on this forum someone had a photography challenge for a toned proof Lincoln. The coin was mailed around the country to various collectors/photographers to photograph. I'm an average coin photographer at best, but that coin was the most challenging coin for me.
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@relicsncoins said:
Years ago on this forum someone had a photography challenge for a toned proof Lincoln. The coin was mailed around the country to various collectors/photographers to photograph. I'm an average coin photographer at best, but that coin was the most challenging coin for me.
I believe I remember it. I was on several of those challenges. It was a lot of fun and some of the pictures that people did were fantastic. Equipment is better now and there’s more knowledge out there. I wonder if anyone will start another challenge ?
@relicsncoins said:
Years ago on this forum someone had a photography challenge for a toned proof Lincoln. The coin was mailed around the country to various collectors/photographers to photograph. I'm an average coin photographer at best, but that coin was the most challenging coin for me.
Agreed.
This was the coin........the contest lasted for about 9 months starting around November of 2009.
@relicsncoins said:
Years ago on this forum someone had a photography challenge for a toned proof Lincoln. The coin was mailed around the country to various collectors/photographers to photograph. I'm an average coin photographer at best, but that coin was the most challenging coin for me.
I believe I remember it. I was on several of those challenges. It was a lot of fun and some of the pictures that people did were fantastic. Equipment is better now and there’s more knowledge out there. I wonder if anyone will start another challenge ?
Proofs for sure, it doesn't even have to be cameo. Their reflectivity always shows more than I want and getting the lighting to hit right is super challenging. Now.....if they are toned.....I really have a hard time. Diameter is an issue too. One of the worst things I ever had to shoot was a toned proof seated dime. I can only imagine Trimes!!!!
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For me hardest coins are the Proofs with no Cameo contrast.
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The most difficult coin to shoot is the Type 1 gold dollar since it's the smallest US coin ever made at 13mm. You really need to take careful aim.
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Slabbed toned proof copper, and in general pieces with semi-prooflike fields and darker toning. These coins get that much harder to shoot in the newer holders where they're firmly locked in place and can't be slightly angled.
@relicsncoins said:
Years ago on this forum someone had a photography challenge for a toned proof Lincoln. The coin was mailed around the country to various collectors/photographers to photograph. I'm an average coin photographer at best, but that coin was the most challenging coin for me.
I believe I remember it. I was on several of those challenges. It was a lot of fun and some of the pictures that people did were fantastic. Equipment is better now and there’s more knowledge out there. I wonder if anyone will start another challenge ?
That would be quite fun. I would join in on that.
Perhaps someone will start one again? I have thought about it if I had a coin that would be challenging enough and inexpensive enough.
The slab was a bit scratched up, and I can't take a good picture anyway, but this one looked like crap in every photo I tried until I had a fine fellow board member take this photo at the Baltimore show a few years back. A well spent $15.
Proofs are tough, but I have a hard time with certain large cents and early copper in general. It’s difficult to create contrast where this isn’t much and luster is so hard to show compared to silver & gold.
@relicsncoins said:
Years ago on this forum someone had a photography challenge for a toned proof Lincoln. The coin was mailed around the country to various collectors/photographers to photograph. I'm an average coin photographer at best, but that coin was the most challenging coin for me.
Agreed.
This was the coin........the contest lasted for about 9 months starting around November of 2009.
Here are your photos.
I remember that Lincoln like it was yesterday. That was a fun contest for sure. Proof coins with color behind plastic is, without question, the hardest coin to image.
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Not that I'm a photographer by any stretch, but yes toned cameos, and large cents in slabs.
In my experience, the cameo contrast allows the camera (and photographer) to focus better on a proof than with a non-cameo. My thought to your question is a brilliant proof with various colors that change with location and tilt.
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Proof Coins in Slabs are Tough
Yes, I would agree the Cameo's are tough. Hard to focus and stay with the right angle.
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--- If it should happen I die and leave this world and you want to remember me. Please only remember my opening Sig Line.I'm no photographer but I shoot my coins and strive to take the best shots possible with a phone but I found the incuse Indians to be tough.
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Dark copper can be quite challenging.
Without question imaging a proof coin behind plastic to pick up its true colors without glare. At least that’s been my experience.
Toned proofs are always a crap shoot for me
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Fellas, leave the tight pants to the ladies. If I can count the coins in your pockets you better use them to call a tailor. Stay thirsty my friends......
Brilliant proofs -a real bugger every time.
WS
Indian quarter and half eagles are a real pain. Colorful proof coins are also problematic. A lot of times you’re deciding between luster, color, and contrast.
Phil Arnold said this beauty was one of the hardest coins he's ever had to image.

toned proofs
Smaller diameter toned coins in older NGC generation holders.
Years ago on this forum someone had a photography challenge for a toned proof Lincoln. The coin was mailed around the country to various collectors/photographers to photograph. I'm an average coin photographer at best, but that coin was the most challenging coin for me.
I believe I remember it. I was on several of those challenges. It was a lot of fun and some of the pictures that people did were fantastic. Equipment is better now and there’s more knowledge out there. I wonder if anyone will start another challenge ?
Agreed.

This was the coin........the contest lasted for about 9 months starting around November of 2009.
Here are your photos.


- Bob -

MPL's - Lincolns of Color
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That would be quite fun. I would join in on that.
Proofs for sure, it doesn't even have to be cameo. Their reflectivity always shows more than I want and getting the lighting to hit right is super challenging. Now.....if they are toned.....I really have a hard time. Diameter is an issue too. One of the worst things I ever had to shoot was a toned proof seated dime. I can only imagine Trimes!!!!
sarasotanumismatics.com
Exactly. Especially if it is holdered because you can't get the light where it needs to be without slab glare.
Lance.
For me hardest coins are the Proofs with no Cameo contrast.
Could never get PL or DMPLS at all
The most difficult coin to shoot is the Type 1 gold dollar since it's the smallest US coin ever made at 13mm. You really need to take careful aim.
Worry is the interest you pay on a debt you may not owe.
"Paper money eventually returns to its intrinsic value---zero."----Voltaire
"Everything you say should be true, but not everything true should be said."----Voltaire
I'll say proof coins.
This coin is bright.
Man ... You guys know your stuff.
A forum member once shot a Lincoln cent. That had to be tough.
"Inspiration exists, but it has to find you working" Pablo Picasso
Slabbed toned proof copper, and in general pieces with semi-prooflike fields and darker toning. These coins get that much harder to shoot in the newer holders where they're firmly locked in place and can't be slightly angled.
Perhaps someone will start one again? I have thought about it if I had a coin that would be challenging enough and inexpensive enough.
The slab was a bit scratched up, and I can't take a good picture anyway, but this one looked like crap in every photo I tried until I had a fine fellow board member take this photo at the Baltimore show a few years back. A well spent $15.

Brilliant proofs in slabs.
See http://www.doubledimes.com for a free online reference for US twenty-cent pieces
Proofs are tough, but I have a hard time with certain large cents and early copper in general. It’s difficult to create contrast where this isn’t much and luster is so hard to show compared to silver & gold.
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Slabbed toned proofs are definitely the most difficult to photograph.
Proof coins. I’ve tried many different setups without any luck. Challenging, esp with my macro photography skills.
Dave
High relief material thanks to the narrow depth of field on most macros. Image stacking is a pain.
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I remember that Lincoln like it was yesterday. That was a fun contest for sure. Proof coins with color behind plastic is, without question, the hardest coin to image.
Proofs are very tough. As for regular strikes, dark copper coins in non-pronged NGC holders have always been a bear.
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