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Morbiducci Prova's: Irish Numismatic History
Boosibri
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In the recent DNW sale there were two previously unknown "Morbiducci Prova" Irish patterns (prova's) in copper which carried a provenance from the medalist family who struck the coins for Publio Morbiducci the designer. I was the direct under bidder on these pieces unfortunately.
In 1927 the newly formed Irish Republic wanted to create their national coinage and commissioned a committee, led by poet W.B Yeats to hold a competition and recommend the design to be featured. The brief to the designers was to feature the animals of the Irish Republic, which included the horse, salmon, bull, Irish wolfhound, rabbit and wood pigeon.
There were a handful of competitors, most notably Publio Morbiducci, an Italian sculptor, and Percy Metcalfe and Englishman. In an effort to sway the committee, Morbiducci produced patterns in various metals of his designs. While Morbiducci's designs were arguably superior to those of the other competitors, to paraphrase Yeats, the designs were "too Italian" and the committee ultimately favored Metcalfe's more stoic designs to the emotional and animated designs of Morbiducci.
The only reference for the patterns was published in 1976 in the Spinks Numismatic Circular which gave the history of the pieces and a history of the handful of known specimens. Today, only a few exist with perhaps a few more than originally speculated. Regardless, every piece is rare with less than a dozen known in the most prolific issues.
Posted below is the 1976 article for your enjoyment.
In 1927 the newly formed Irish Republic wanted to create their national coinage and commissioned a committee, led by poet W.B Yeats to hold a competition and recommend the design to be featured. The brief to the designers was to feature the animals of the Irish Republic, which included the horse, salmon, bull, Irish wolfhound, rabbit and wood pigeon.
There were a handful of competitors, most notably Publio Morbiducci, an Italian sculptor, and Percy Metcalfe and Englishman. In an effort to sway the committee, Morbiducci produced patterns in various metals of his designs. While Morbiducci's designs were arguably superior to those of the other competitors, to paraphrase Yeats, the designs were "too Italian" and the committee ultimately favored Metcalfe's more stoic designs to the emotional and animated designs of Morbiducci.
The only reference for the patterns was published in 1976 in the Spinks Numismatic Circular which gave the history of the pieces and a history of the handful of known specimens. Today, only a few exist with perhaps a few more than originally speculated. Regardless, every piece is rare with less than a dozen known in the most prolific issues.
Posted below is the 1976 article for your enjoyment.
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Comments
AS the "direct underbidder" one never knows how high the next bidder was willing to go with their bid.
This pattern selling for GBP 11,000 hammer is pretty steep IMO. Who knows, you may have been the direct underbidder right on up to GBP 20,000.
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My sets: [280+ horse coins] :: [France Sowers] :: [Colorful world copper] :: [Beautiful world coins]
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If your 60 and working in a set, not a bad deal.
Latin American Collection
It was steep but consider two exist with this being the finest by far. Last one in bronze appeared in 1970, 12 years before I was born. Others in silver are more frequently encountered, every 5-10 years.
If your 60 and working in a set, not a bad deal.
As we both know though, no one knows how high the winner was willing to go except the winner.
Once something gets to the "nearly unique" level, I'm perfectly happy looking at pictures online. Ownership doesn't add that much enjoyment for me when the opportunity cost of having it is several (dozen) other coins. To each his/her own. Sometimes being the underbidder is a blessing in disguise.
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My sets: [280+ horse coins] :: [France Sowers] :: [Colorful world copper] :: [Beautiful world coins]
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Latin American Collection
Experience the World through Numismatics...it's more than you can imagine.
Latin American Collection
The horse on the pattern leaves me thinking: Duce, Duce, Duce! Yeats was right.
Beautiful designs.
--Severian the Lame