Cameo or not ?????? What is your opinion?

Anybody like to offer their opinion as to whether the 1885 PR66 CAM
Morgan below is truely a cameo ?? I know a photo makes it only an educated guess, but I have never seen a Morgan toned this dark in Cameo. It must have just made it for the Cameo, but of course it is just a photo and may look better in person. ?????
Morgan below is truely a cameo ?? I know a photo makes it only an educated guess, but I have never seen a Morgan toned this dark in Cameo. It must have just made it for the Cameo, but of course it is just a photo and may look better in person. ?????
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Comments
Looks cameo to me.
Greg
It looks "cameo" to me, too. From the image though, in my opinion, it is not a coin that justifies any premium for the designation.
We recently submitted an even more deeply toned coin for a client and it received the "Cameo" designation, as well.
You have raised an interesting and important matter. There are lots and lots of "cameo" coins out there, both in newer holders designated as such, and in older holders, not yet so designated. Many issues are not particularly scarce in "cameo", whether the current population reports indicate that or not. And, like almost everything else relating to grading, there is a great deal of subjectivity involved. There is also the matter of degree - not all "cameo's" are equal and thus, not all deserve the same valuations/prices.
Some of my comments above also apply to "deep/ultra cameo's".
Edited to add:
A number of people have mentioned the reflectivity of the mirror surfaces when discussing the "cameo" and "ultra/deep cameo" designations. While that plays some role, I think the more important determinant is the amount/degree of frost on the devices.
dragon
I really like the 19th century cameo proofs that have original toning and what I would call antique mirrors. Antique mirrors are pieces that have a smoky cast on them. Most modern proofs have deep reflective mirrors. Sometimes people dip 19th century proofs to try to recapture the the deep reflective mirrors. Often these come out looking terrible, with weak hairlined mirrors. All the Morgan is really missing in my view is a some magnificent rim toning to be able to command a premium.
Greg
Mark, what is your best description of 'frost' ?? Thanks,,,,,,,,,,ZERBE
Couple of other points:
The '85 proof allegedly usually have average contrast, and so could "possibly" be market-graded/designated, but more significant to me is that, since only about 930 '85 proofs were struck, I would expect it to be cameod.
Anybody know which die pair(s) the proofs were struck from?
given all that, it seems clear that with modern proofs PCGS pays very close attention to the mirrors when assigning the CAM designation and for DCAM there needs to be the addittion of complete and evenly frosted devices. that's an almost given on post-1976 coins so the criteria comes mostly in play for pre-1976 proof issues. it appears from what i see at shows and online in scans------lord forbid i should trust them!!------that toning is taken into account when judging CAM/DCAM of older classic proof coinage. that's logical since the delicate fields would be most susceptible to a change in appearance as is demonstrated by the subject coin.
with all that said and without a reverse scan to look at, this isn't a coin i'd want at any kind of a premium. and more than the CAM designation, i'd be concerned with what appears in the scan as evidence of being cleaned in the fields around Ms. Liberty and in the lettering above her head, perhaps the "problems" referred to elsewhere.
al h.
al h.
me to consider paying any premium for.
Camelot
Why are you guys talking about paying a premium for a proof that should come no other way?
I understand that if it were untoned, heavily frosted or very attractively toned a premium may be in order, but this is a coin where a cameo contrast would be expected. Why are you all saying you wouldn't pay a premium? You shouldn't have to pay a premium, other than what you would pay for a proof Morgan.