On the collectability of bullion bars
I got a new piece today in the mail (you'll have to wait until Friday ), and as I was driving back from the post office I was thinking about a topic I've glanced off of in the past and I think I've even referenced here before: How silver art bars are so unloved in most of the silver stacker community.
And then I started thinking about that incredibly rare Foster bar I posted in that Friday after Thanksgiving metal porn thread. For those who didn't see it: It's a crude little 1 ounce silver bar... that is probably worth +/- $1,000.
And then something dawned on me: Silver art bars from the very late 1960s through the early 1970s were intended to be prized collectibles and even "long term investments", marketed in ad campaigns with fantastic designs and detail, proof finishes, limited mintages, and fancy boxes or holders. But for as long as I can remember, going back at least 25 years if not longer, they have been pretty much hated--the last kids to be picked for the team. Nobody in my area has ever wanted them. When silver was stable around $10 an ounce, you couldn't give them away. And even recently, especially when they were up against American silver eagles or even generic bullion bars like Silver Towne, silver art bars sold at spot while these other vehicles sold at $1 or $2 over melt.
Conversely, early bullion bars, like those by JM and Engelhard, or the aforementioned Foster bar and its later iterations, bars that were at best designed to be stacked in a vault, rarely if ever seen, or at worst, were destined for manufacturing; the drawing machine to be stretched into yards of wire, or the X-ray or photograph finishing business.
And unlike their fancy silver art bar relatives, the designs of these bars were utilitarian and functional: Maker, purity, weight. Serial number could be non-sequential or non-existent, and like their "mintage", completely arbitrary and unlimited.
So why is it that the bars that were intended to be rare and valuable are so unwanted, while the bars designed for investment or industry have become so sought after?
Certainly not all art bars are junk. There are legitimately rare bars that command premiums, sometimes even a small fortune. I just searched eBay for recently sold "art bars", and the highest selling single 1-ounce bar was a 1979 Greathouse Teddy Bear bar #141/175, which sold for $377 on 10-31-20.
But that search of "art bars" also turned up a single 1-ounce bar by JM with a "BMZ" logo that just sold for $465--about 25% more than that highest-selling "art bar"!
In fact, if you exclude the 1 or 2 recent sales that seem...irregular, the top 10 highest grossing recent sales of "art bars" include pieces by Foster, Englehard, Sharps Pixley, and JM.
Then again, not all "bullion" bars of that early era are worth much more than melt. I've got lots of examples of regional refineries whose 1 ounce bars are little more than a novelty. But honestly? I think I'd rather have a cool regional bullion bar than a silver art bar.
It could be that since the "limited" production art bars were hoarded and protected, their numbers remained too great to be especially valuable. But by the same token, those pieces were unwanted for so long that surely their numbers must have diminished, victims of the various silver runs and the smelter's crucible.
Or it could be that "topical" bars just didn't hold up well over time. Nobody cares about Henry Kissenger or St. Patrick's day 1975 on the dawn of 2021.
Given the choice of pristine early 1970s art bars or early bullion bars, which would you prefer? Why?
--Severian the Lame
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Interesting question. I think they've been both hot & cold over the years much like Commem half dollars. Currently, given recent sales I'd say they're very "cool" right now.
I collect them still today when I find one that is interesting or I don't have yet mostly because I have a couple Dansco albums for putting them in.
Back in the early 2000's, there was a shop here in town with 3 huge trays full of them and it was any or all for $9 each. I made pretty good profits for a time flipping them on ebay and kept quite a few of my initial collection from that place until it closed up.
At the time, I pulled 2 Mt. Hood Coca-Cola bars from there - each sold for over $600... many other themes would sell in the $40 range and it was easy-peasy.
Last but not least, I trust that they're pure silver just as much as I would name brand JM or Engelhard bars.
That's my 2 cents.
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a lot of stuff intended to be collectible is melt. Look at franklin mint stuff from the 1970's , they put work into it .
All that sterling , those oddball grain sized bars with flags and cars and animals etc.
I have a few of the 'art' bars.... I think I have posted a picture of my Secretariat bar... I listened/watched all three Triple Crown races that year... Amazing memories. A couple others for special occasions or design. Other than that, I stick to ASE's. And any silver U.S. coins I come across. Cheers, RickO
Like Bronco said, typically if it's made to be a collectable, not many people care, like coins. But, If it was made to be used, not collected, it seems to be more desirable.
Over the last few years, I've grown very fond of the old poured, obscure bars...
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A few of my better finds over the last few years, these are a few of my favorites:
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I think that's an important point: The art bars I've seen that specify .999 silver are always .999 silver and are exactly 1 troy ounce.
However, like @bronco2078 hit on: There are a lot of pieces from the same era that look a little like .999 silver art bars that are in fact sterling silver bars, often denoted in grains rather than troy ounces. A bar that is sterling silver and 500 grains weighs almost exactly 1 troy ounce.
--Severian the Lame
I had a pretty good collection of old poured bars early on as well. That last run up to $50 per ounce, I toyed with the idea of selling and quadrupling my stack but didn't. I couldn't break away from my "collection" that I had spent so much time stacking. That run up was short lived, a matter of days really and I missed the opportunity. I have kicked myself for it ever since.
I decided pretty quick in the months after that the whole reason I began stacking silver in the first place was not just to keep my money in a safe spot but to grow that income for future spending. (My original intention was to use it to help with the kids college or maybe pay off the house, something big like that)
It was then that I decided to keep (most) of my emotion out of the equation and treat it like it was intended. I still enjoy picking up interesting pieces here and there but if that run up ever takes off again I'm much more positioned to cash it all and start again without regret.
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That's the key and that's my very lofty, near impossible goal: Find the really good, rare, and interesting stuff and not pay more for it than you do for modern generic pieces.
This new piece I paid up for, but I think I got it at less than it's "worth".
--Severian the Lame
Most of what I have was bought at normal, (slight premium) pricing...
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... as was mine. Still, when it came time to quadruple up I couldn't do it. Here's an old pic of some of those...
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Still pretty happy I've kept this one over the years...
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Cool bars!
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Not very rare, but sequential serial numbers is pretty cool on these.
MY GOLD TYPE SET https://pcgs.com/setregistry/type-sets/complete-type-sets/gold-type-set-12-piece-circulation-strikes-1839-1933/publishedset/321940
I've been trying to sell this damn album for months here with no luck. I finished my first art bar album a couple years back...
I didn't realize I had acquired so many others. At this point, I guess I'll just start filling it up.
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I never paid over spot on any bar, regardless of size or what was stamped on it. The general rule with bullion: silver is silver although I have paid over spot for ASEs due to the fact they are the most liquid silver on planet earth.
Just never understood bullion that was marketed as "collectible". Collectible silver are things like MS Peace/Morgan dollars.
The whole worlds off its rocker, buy Gold™.
BOOMIN!™
I think the old pour stuff will always have a following.
I love how this became a picture thread
These early 70's bars have lived through bull and and bear cycles, and as you mentioned considered junk by some only to be melted for their metal content. Somewhere along the way some figured out that these "art bars" could actually be collectible and catalogues were built around them, charting their relative rarity.
Whereas my tastes were never with the 1970's art bars, I do have a small collection of early Pamp Suisse bars that I enjoy.
It's all about what the people want...
Funny you should comment, @LukeMarshall
--Severian the Lame
I look for ones with direct mining tie ins. Here are a few of my favorites:
mbogoman
https://pcgs.com/setregistry/collectors-showcase/classic-issues-colonials-through-1964/zambezi-collection-trade-dollars/7345Asesabi Lutho
what I can't grasp is new bars being peddled as worth over spot. You would have to be soft in the head to pay extra for say , a brand new pamp gold bar with some stupid design stamped on it.
or when kilo silver started to be sold at huge markups over silver melt. Oh look its a different size ! like any size known couldn't instantly be stamped out by the thousands in a day.
Gieger 50 gram ! extra value ? No................ awkward size spot value , like the 1000 grain size , don't create some pointless thing no one asked for then act like its special
Those mining bars are sweet!
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Here’s a modern mining bar:
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Bars that are appealing to other collectors may do well. Lots of Coca Cola collectors so one of their bars should do well. Gun bars as well. The old technique of collecting things that draw in collectors from more than one angle is worth considering. A Colt Zippo lighter will certainly fetch a better price than a plain Zippo.
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I've got a few of these Walla Walla, Washington 3oz bars tucked away - I've always liked them when I can find them cheap.
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A couple years ago I did a tour of the Coke archives to kill some office time, they did not have any of the silver bars - I asked.
anyway the answer is no . The side of life's highway is littered with the burnt out carcasses of shoulda coulda used to be collectible items.
Todays rare 3.57 ounce old pour is tomorrows beanie baby. Keep a close eye on the market and exit with a profit.
Don't be the guy who has a bunch of collectible whatsis and sits on them for 20 years then finds out they are now melt and you missed your chance.
It can absolutely happen , it could be something as mundane as a flood of fakes out of china which makes people lose confidence in the market for that item. Its almost a given that will happen , they just haven't gotten around to your market yet.
Flog the dollars out of the collectible items and don't get so attached that you die owning them. Your grandkids will go on pawn stars with your rare bars and trade them for pez dispensers .
Remember you are old and everyone who likes these ugly bars is old too and when you die there will be no one to buy them.
Go peek around the stamps forum but don't point and laugh at the old geezers , there but for the grace of God...................
Everything @bronco2078 said is correct.
But...
--Severian the Lame
Thanks @Weiss for asking the question. I also wonder about what others think about collectible silver bars. I’m not a purist generic weight slacker, quite the opposite. This is my take....
I like silver art bars. They’re way cooler in hand than online pictures present. A lot of really neat ones out there under many themes. I’ve had success picking them up for generic prices and premiums from shops that don’t seem to think they’re cool, not worth the time to flip on eBay or just weight. That’s who I buy those from. The specific subjects I may step up more for like the Norman Rockwell tattoo artist, well, because I’m a tattoo artist. I also gold dredge and gold mine, fish, ride motorcycles, local interests, so I have an affinity for these type of pieces.....
Some of the mining rounds and bars are hot right now, and I don’t buy those when they’re hot, like the Homestake material, but I have been lucky biding my time and being patient. This may cool off in the future, but let’s say there isn’t enough around to satisfy demand, I’m betting my dollars it stays that way....
I also love some smaller size old pour bars from old time refiners. Sprinkled with a few Dan Carr why not. These things are just neat and they don’t come around often. I may pay a few bucks more over spot nothing insane. If a few bucks makes me insane, so be it.
It took me a min to access the collection and get a few shots. Was nice to see the STUFF. To me that is all it is. It’s not an investment and I don’t care about what my buy in was or if the premium becomes beanie babies. Even though the average spot buy was definitely lower than today’s spot. I’ve traded for a lot of it and just skip Starbucks a couple days and put into silver instead just to delight myself. A lot of times I’m rewarded for sharing info on series I’m deep in with a premium reduction. Makes a huge difference who ya run with and how gracious the back and fourth dealings are.
I remember being able to buy a 10oz englhard pour for 60 bucks. Didn’t think much of them then, they were about the same as all the others. Then I saw plastic buckets of them rolling into coin shows to dump and then they dried up. I don’t think we’ll ever see the day they’re seen as spot again.
Still, it’s not my style to pay $150 for an art bar, cool if you do, but I may go 5 over cause it’s neat. Hey, as long as we’re “stacking” why not stack something interesting. Common weight OPM bars are a real bore to me and anytime I’ve ever bailed on silver because spot moved in my favor or needed to cover another purchase, it wasn’t my cool stuff. I think it will maintain its overall desirability=value as time goes on. If one doesn’t want to stay current on collectable trading values, then it’s probably best to stick to generic.
With all that said, even if the kids only get spot...or ripped....at least they got spot. I don’t focus today on what they get when I’m dead. I’ve given them enough already and they’ll get plenty without worrying about my gold bug hoard of goodies. I say life’s too short up hold run of the mill bullion and I don’t try to intellectualize the fun out of it. That’s just my style I don’t recommend or push the practice on people.
That's a GREAT collection, @WildIdea !
That Norman Rockwell bar is so detailed, and it's cool that there is a connection to you. And your collection of old pour smaller bars is fantastic!
Life is too short for boring bullion, so make the chase exciting by buying the good stuff at the same price as the common stuff.
I don't have many pure "art bars", maybe 10 or 15. Here are two that I think are pretty cool, if nothing else just because of how incredibly detailed they are. Each bought for spot:
USSC Old Barbary Coast, type III , 1973 (USSC-198A):
Artistic Silver Thanksgiving 1973 (art-1):
--Severian the Lame
Awesome bars!
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This is the full house commemorative ! Those olsen twins manage to wet their beaks in everything