What viewing coins, which attribute of a coin strikes you first (no pun intended)?

Veteran auction searchers, bourse browsers, coin shoppe junkies, and anyone who has viewed thousands of coins probably responds to one attribute, first and foremost, when viewing coins. Is there one attribute that speaks to you first, before all of the others? If so, what is it? Has it changed over time?
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My Collection of Old Holders
Never a slave to one plastic brand will I ever be.
For color, you are looking at a lot of factors all at once: metal composition, design, wear, luster, toning (to name a few)
From "Color" you further refine your search to more precise characteristics
<< <i>Luster speaks first; but, that doesn't mean it speaks the loudest. >>
I was expecting you to say the Shield.
This is probably a good spot to show one of the coins from Fairlaneman. He is the one most responsible for showing me what is wrong with white coins. Although, this image looks kind of white, the coin has a real pale pinkish/violet color. Just an awesome coin. This 1919-S grades MS66 if you are curious.
President, Racine Numismatic Society 2013-2014; Variety Resource Dimes; See 6/8/12 CDN for my article on Winged Liberty Dimes; Ebay
We'll use our hands and hearts and if we must we'll use our heads.
<< <i>Luster speaks first; but, that doesn't mean it speaks the loudest. >>
Well put.
Price has to be realistic for me to consider purchasing the coin...
Stuart
Collect 18th & 19th Century US Type Coins, Silver Dollars, $20 Gold Double Eagles and World Crowns & Talers with High Eye Appeal
"Luck is what happens when Preparation meets Opportunity"
<< <i>Veteran auction searchers, bourse browsers, coin shoppe junkies, and anyone who has viewed thousands of coins probably responds to one attribute, first and foremost, when viewing coins. Is there one attribute that speaks to you first, before all of the others? If so, what is it? Has it changed over time? >>
In hand, it's luster. In photos, it's hits/surfaces.
But really, on both, it's eye appeal (which wasn't listed).
Well, I only collect Pr Merc 10c and Pr Jeff 5c 1938-1941. First thing I involuntarily see and react to is originality of surfaces & color or lack thereof. I know in a minute or less if I like it or not. I would prefer a fully original heavily toned attractive Merc in Pr 64 over any blast white 66 or secondarily toned Pr Merc. I hate the look of dipped/blast white Pr Mercs - they grate against my eyes like sandpaper just like the even gold of a Pr Merc dipped 15 years ago. I like the crusty brown tone (often with blue or green speckles "inside") when around the edges - something I call "flaky" tone as this encrusted tone/color looks like it could be lifted off in flakes with a scalpel. I like lighter centers with that mostly transparent milky original skin that seems to "fill" in the flow lines. I do not like "naked" flow lines as they scream "DIPPED" to me. I also look at the edges in between the reeds which is why I like the new NGC edgeview holders. And of course, I don't like the tone to obscure ALL the mirrors although some is OK with me. With Pr Jeffs I look for that semi hazy concentric flaming rainbow tone which I love, as long as the mirrors are not dead. Some haze is OK with me. Contact marks, unless in primary areas, are not my biggest concern as they are easily trumped, for me, by surface originality. Strike is important but not primary at all unless really weak. Oh yeah - sometimes I look at those little numbers on the slabs, but just for fun
Best wishes,
Eric
Hoard the keys.
of a coin. I can not really single out a single factor. Certainly
luster, strike, grade, originality, color all play equal roles in making
my initial evaluation. If my first instinct, is that something is not right
for me, then I am always right. It is those first few seconds that is make
it or break it for me. Detailed examination then merely affirms my
initial opinion.
Camelot
For me, it is the overall "look" of the coin, which I guess means the color. It is hard to explain but certain coins just stand out more than others in the case.
Didn't wanna get me no trade
Never want to be like papa
Working for the boss every night and day
--"Happy", by the Rolling Stones (1972)