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Numismatic Terminology --- Type vs Variety

Dug13Dug13 Posts: 336 ✭✭✭✭

Concerning Seated Quarters, I thought the 1853 Arrows & Rays is considered a Variety of the main design.
On our host's price guide, it is listed as Type 4 (of 6 Types).
How do most collectors refer to '53 Arrows & Rays. A Type or a Variety?

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Comments

  • ShaunBC5ShaunBC5 Posts: 1,934 ✭✭✭✭✭

    I’ve always thought of it as a Type is an intended design for a particular period of time and a variety is a discovered subset within that type.
    Franklin Halves are the type, Bugs Bunny is a variety. It probably works better with non-die clash examples, like the leaves above, but you get the point.

  • CoinosaurusCoinosaurus Posts: 9,652 ✭✭✭✭✭

    The Guide Book uses "variety" to describe Seated coinage w/rays, w/o rays, w/arrows & rays, etc., which doesn't work for me at all. I think of them as "types." Over the last generation we've seen so much work on Liberty Seated die varieties that the word "variety" really means die marriage. The Guide Book does the same thing for Bust coinage.

    There is no universally accepted style guide in numismatics although individual publishers will have their own internal guidelines.

    Perhaps Dentuck can explain all this to us.

  • lkeigwinlkeigwin Posts: 16,895 ✭✭✭✭✭

    I've always looked at it this way:

    A die marriage (or die pairing) is a subset of a variety. There are many 1827 square 2 die marriages. The square 2, encompassing all of them, is the variety.

    The 1827 square 2 is a capped bust half dollar. That is a type, different from a flowing hair or draped bust half dollar.

    Obviously others think differently, or are casual with the terms. But this makes sense to me.

    1827 Square 2 Overton 126. Die marriage.
    1827 Square 2. Variety.
    1827 Capped bust. Bust half type.

    Lance.

  • JoeLewisJoeLewis Posts: 1,913 ✭✭✭✭

    @lkeigwin said:
    I've always looked at it this way:

    A die marriage (or die pairing) is a subset of a variety. There are many 1827 square 2 die marriages. The square 2, encompassing all of them, is the variety.

    The 1827 square 2 is a capped bust half dollar. That is a type, different from a flowing hair or draped bust half dollar.

    Obviously others think differently, or are casual with the terms. But this makes sense to me.

    1827 Square 2 Overton 126. Die marriage.
    1827 Square 2. Variety.
    1827 Capped bust. Bust half type.

    Lance.

    We need three different terms. Using your example above:

    1. Capped Bust Half
    2. Capped Bust Half lettered edge
    3. 1827 Square 2

    I would say:

    1. Type
    2. Sub-type?
    3. Variety
  • JoeLewisJoeLewis Posts: 1,913 ✭✭✭✭
    edited December 23, 2020 12:14AM

    I just realized I went in the opposite order you did.

    From specific to general you could have:

    1. Die State
    2. Die Marriage
    3. Variety
    4. Year and mint mark
    5. Sub-type
    6. Type
    7. Denomination
  • koynekwestkoynekwest Posts: 10,048 ✭✭✭✭✭
    edited December 23, 2020 4:52AM

    To me a type is a completely new design whereas a variety is a modification of a type. Examples would be the Variety One and Variety Two Buffalo nickels and Standing Liberty quarters. The mound and different placement of the stars is a modification of the existing design, thus a variety, not a type.

  • ZoinsZoins Posts: 34,456 ✭✭✭✭✭
    edited December 23, 2020 5:10AM

    To me, it's a type or sub-type.

    I think of it this way:

    • Type: intentional change made by the Mint and intended for coin consumers to see
    • Variety: unintentional changes by the Mint and not intended to be noticed by coin users
  • ɹoʇɔǝlloɔɹoʇɔǝlloɔ Posts: 1,436 ✭✭✭✭✭

    just want to say, as a relative newb, threads like this are super helpful / informative - thanks, op and responding forums members 🙌

  • neildrobertsonneildrobertson Posts: 1,266 ✭✭✭✭✭

    @Zoins said:
    To me, it's a type or sub-type.

    I think of it this way:

    • Type: intentional change made by the Mint and intended for coin consumers to see
    • Variety: unintentional changes by the Mint and not intended to be noticed by coin users

    This is what I was thinking as I was coming up with a definition. I think varieties go beyond this definition too. I'd consider privy marks like the V75 to be a variety, even though it was intentional.

    IG: DeCourcyCoinsEbay: neilrobertson
    "Numismatic categorizations, if left unconstrained, will increase spontaneously over time." -me

  • ZoinsZoins Posts: 34,456 ✭✭✭✭✭
    edited December 23, 2020 8:06AM

    @neildrobertson said:

    @Zoins said:
    To me, it's a type or sub-type.

    I think of it this way:

    • Type: intentional change made by the Mint and intended for coin consumers to see
    • Variety: unintentional changes by the Mint and not intended to be noticed by coin users

    This is what I was thinking as I was coming up with a definition. I think varieties go beyond this definition too. I'd consider privy marks like the V75 to be a variety, even though it was intentional.

    What definition of variety are you using to classify the V75 privy mark as a variety? Would you also classify the Arrows and Rays quarter as a variety?

    I think definitions are important to ensure things are classified consistently.

    I'd classify the V75 as a sub-type using the following definitions:

    • Type: Entire change in design, both obverse and reverse
    • Sub-Type: Intentional, customer-facing change where major devices on obverse or reverse remain the same
    • Variety: Unintentional change or one that non-collector customer is not expected to make note of
  • ShaunBC5ShaunBC5 Posts: 1,934 ✭✭✭✭✭

    @koynekwest I've always seen/heard the Buffs referred to as Type I and Type II. Same with the Standing Liberty Quarters. I also thought each one was needed for type collectors.
    Do others call them Variety 1 and 2? I don't get out as much as many of you and I'm genuinely curious. The Buffs and SLCs are largely what shaped my concept of what a Type is (especially within a general design).

  • messydeskmessydesk Posts: 20,736 ✭✭✭✭✭

    @Coinosaurus said:
    The Guide Book uses "variety" to describe Seated coinage w/rays, w/o rays, w/arrows & rays, etc., which doesn't work for me at all. I think of them as "types." Over the last generation we've seen so much work on Liberty Seated die varieties that the word "variety" really means die marriage. The Guide Book does the same thing for Bust coinage.

    The Guide Book also still lists Mott Tokens in the colonials section, although the accompanying text has changed over the years. Inertia of terminology and the fact that you can't unprint a book likely comes into play with respect to the Guide Book.

    Regarding types and varieties, for me, an intentional composition change or design change upwind of creating a master hub (or equivalent for earlier coinage) is a type, while an unintentional result of creating dies and using them in production is a variety. Differences between types may be major (Indian vs Lincoln cent) or minor (8TF vs 7TF Morgan dollars). Where varieties and die marriages are considered interchangeable, the design type is usually just a starting point in determining the variety. Where it becomes complicated is where variety and type have been interchangeable. Here, a variety is a manifestation of a minor change of type. Buffalo nickel (major type) collectors will have a Type 1 and Type 2 (minor type) reverse for 1913. This is two varieties of the 1913 nickels, each with a different type for the reverse.

    I do not consider each state's coin in the assorted series as a different type, because the type intended for there to be a different design for each state. Had the mint refined the Washington portrait during production of one of these series, perhaps further spaghettifying it, I'd consider that a minor type change, which means you could have something like 2005 West Virginia Head of '05 and Head of '06 varieties.

    The Seated stuff is trickier, since the arrows of the 1854-55 coinage falls isn't something that was part of the design of the hub or change of composition. It was punched with the date and eventually dropped in 1856 with no other design or composition change, so I'm not sure I'd consider the 1854-55 coinage to be a different type from the 1856-73 coinage. I'll leave it to LSCC folks to either try me for or defend me from charges of heresy.

  • CaptHenwayCaptHenway Posts: 33,829 ✭✭✭✭✭

    I need another cup of coffee before I tackle this thread.

    Numismatist. 54 year member ANA. Former ANA Senior Authenticator. Winner of four ANA Heath Literary Awards; three Wayte and Olga Raymond Literary Awards; Numismatist of the Year Award 2009, and ANA Lifetime Achievement Award 2020. Also won the PNG's Robert Friedberg Award for "The Enigmatic Lincoln Cents of 1922," Available now from Whitman or Amazon.
  • ZoinsZoins Posts: 34,456 ✭✭✭✭✭
    edited December 23, 2020 10:01AM

    @CaptHenway said:
    I need another cup of coffee before I tackle this thread.

    How did you decide what Elder pieces to assign number to and what not to :)

    It would be nice to have some designation for composition, e.g. copper, brass, silver, white metal, etc.

  • CaptHenwayCaptHenway Posts: 33,829 ✭✭✭✭✭

    To me every die pair was a numbered listing. Fortunately design variances were not an issue.

    I did not want to do sub-listings for compositions as I knew that my lists of compositions were presumably incomplete. I suppose in hindsight that I could have made a list of all compositions and given them a letter designation that could be tacked onto the numerical listings, so that DeLorey-999a was gold and DeLorey-999b was silver, etc., but I did not think to do that. And of course you have the question of what do you do with 18kt gold vs. 14kt gold vs. 10 kt gold, sterling silver vs. coin silver, etc.

    Numismatist. 54 year member ANA. Former ANA Senior Authenticator. Winner of four ANA Heath Literary Awards; three Wayte and Olga Raymond Literary Awards; Numismatist of the Year Award 2009, and ANA Lifetime Achievement Award 2020. Also won the PNG's Robert Friedberg Award for "The Enigmatic Lincoln Cents of 1922," Available now from Whitman or Amazon.
  • koynekwestkoynekwest Posts: 10,048 ✭✭✭✭✭

    @ShaunBC5 said:
    @koynekwest I've always seen/heard the Buffs referred to as Type I and Type II. Same with the Standing Liberty Quarters. I also thought each one was needed for type collectors.
    Do others call them Variety 1 and 2? I don't get out as much as many of you and I'm genuinely curious. The Buffs and SLCs are largely what shaped my concept of what a Type is (especially within a general design).

    The Redbook does, as does ANACS.

  • neildrobertsonneildrobertson Posts: 1,266 ✭✭✭✭✭
    edited December 25, 2020 12:08AM

    @Zoins said:

    @neildrobertson said:

    @Zoins said:
    To me, it's a type or sub-type.

    I think of it this way:

    • Type: intentional change made by the Mint and intended for coin consumers to see
    • Variety: unintentional changes by the Mint and not intended to be noticed by coin users

    This is what I was thinking as I was coming up with a definition. I think varieties go beyond this definition too. I'd consider privy marks like the V75 to be a variety, even though it was intentional.

    What definition of variety are you using to classify the V75 privy mark as a variety? Would you also classify the Arrows and Rays quarter as a variety?

    I think definitions are important to ensure things are classified consistently.

    I'd classify the V75 as a sub-type using the following definitions:

    • Type: Entire change in design, both obverse and reverse
    • Sub-Type: Intentional, customer-facing change where major devices on obverse or reverse remain the same
    • Variety: Unintentional change or one that non-collector customer is not expected to make note of

    For me it's similar in nature to a mint mark or mint master's initials, but we exempt mint marks and dates from being sub-types, even though they meet your criteria.

    The Krause catalogs will list coins with different initials or mints from the same year under the same coin number. They'll also list coins made with different finishes that way too. I would expect to see that coin treated the same.

    IG: DeCourcyCoinsEbay: neilrobertson
    "Numismatic categorizations, if left unconstrained, will increase spontaneously over time." -me

  • ZoinsZoins Posts: 34,456 ✭✭✭✭✭

    @neildrobertson said:

    @Zoins said:

    @neildrobertson said:

    @Zoins said:
    To me, it's a type or sub-type.

    I think of it this way:

    • Type: intentional change made by the Mint and intended for coin consumers to see
    • Variety: unintentional changes by the Mint and not intended to be noticed by coin users

    This is what I was thinking as I was coming up with a definition. I think varieties go beyond this definition too. I'd consider privy marks like the V75 to be a variety, even though it was intentional.

    What definition of variety are you using to classify the V75 privy mark as a variety? Would you also classify the Arrows and Rays quarter as a variety?

    I think definitions are important to ensure things are classified consistently.

    I'd classify the V75 as a sub-type using the following definitions:

    • Type: Entire change in design, both obverse and reverse
    • Sub-Type: Intentional, customer-facing change where major devices on obverse or reverse remain the same
    • Variety: Unintentional change or one that non-collector customer is not expected to make note of

    For me it's similar in nature to a mint mark or mint master's initials, but we exempt mint marks and dates from being sub-types, even though they meet your criteria.

    The Krause catalogs will list coins with different initials or mints from the same year under the same coin number. They'll also list coins made with different finishes that way too. I would expect to see that coin treated the same.

    I actually consider date and mint marks to be "issues", along with compositions for medals.

    The thing about a date and mint marks and medallic compositions is that they are often designed / known at the beginning of creation. For example, in 1909, the date and mint mark changes were already known for 1910, 1911, 1912, etc. What wasn't known was the change to the Memorial and Shield reverses much later.

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