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Tips on photography equipment.
2ltdjorn
Posts: 2,329 ✭✭✭✭
I was curious to see what kind of equipment is used to get such detailed images? Plus if anyone would post a picture of there setup that would be appreciated. Not trying to be a professional photographer, but would like to get the basic essentials.
Thanks, Daniel.
Thanks, Daniel.
WTB... errors, New Orleans gold, and circulated 20th key date coins!
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Copy Stand
Good Lighting
Mark Goodman's book
Photo-Editing software
(insert more ideas here)
.
in addition
experience
training - by a pro - something i am in dire need of with my d90/sigma dxg -
.
.
<--- look what's behind the mask! - cool link 1/NO ~ 2/NNP ~ 3/NNC ~ 4/CF ~ 5/PG ~ 6/Cert ~ 7/NGC 7a/NGC pop~ 8/NGCF ~ 9/HA archives ~ 10/PM ~ 11/NM ~ 12/ANACS cert ~ 13/ANACS pop - report fakes 1/ACEF ~ report fakes/thefts 1/NCIS - Numi-Classes SS ~ Bass ~ Transcribed Docs NNP - clashed coins - error training - V V mm styles -
I like to keep things simple.
Russ, NCNE
Here's a couple I tooke recently:
Again, I don't think they are at the same level as the professionals, but they are definitely good enough for sharing pics on the forums and selling some stuff on eBay or the BST.
Michael Kittle Rare Coins --- 1908-S Indian Head Cent Grading Set --- No. 1 1909 Mint Set --- Kittlecoins on Facebook --- Long Beach Table 448
a dedicated Macro lens certainly recommended... i've shot w/ lenses (my 24-70 f2.8L comes to mind) where it's labeled "Macro" but you're not going to get tight enough for the coin shots you want... 100mm f2.8 Macro is a nice length for coins on a copy stand
-matt
Here's a sample.
Recipient of the coveted "You Suck" award, April 2009 for cherrypicking a 1833 CBHD LM-5, and April 2022 for a 1835 LM-12, and again in Aug 2012 for picking off a 1952 FS-902.
Recipient of the coveted "You Suck" award, April 2009 for cherrypicking a 1833 CBHD LM-5, and April 2022 for a 1835 LM-12, and again in Aug 2012 for picking off a 1952 FS-902.
Sometimes they even swirl around the rim!!
bob
Oh, and I use a point and shoot camera with a stand and two lights:
PCGS Registries
Box of 20
SeaEagleCoins: 11/14/54-4/5/12. Miss you Larry!
<< <i>DSLR
Copy Stand
Good Lighting
Mark Goodman's book
Photo-Editing software
(insert more ideas here) >>
and a lot of patience playing with the lighting
I'm still learning, but this is what I get with everything Stone mentioned and a Canon Rebel T3 and a Canon Macro EF 100 lense
edited w/ Lightroom... I love LR for family photos, etc... but the necessary editing (cropping, etc...) for coin shots makes Photoshop a better choice (or any another true editing software)
I use an enlarging lens ($50) mounted on a bellows ($50) mounted on a copy stand ($75) with a DSLR ($$$) on top, lighted by LED gooseneck lamps ($20). Here's a representative result:
And here is my setup:
http://macrocoins.com
Canon A800 -- $80
WalMart tripod -- $15
2 gooseneck lamps -- $20
Expensive:
Any number of DSLRs with any number of macro lenses from 100mm to 200mm in focal length, copy stand, 2 lights. Probably as little as $700 for this setup, and the sky's the limit.
Keeper of the VAM Catalog • Professional Coin Imaging • Prime Number Set • World Coins in Early America • British Trade Dollars
<< <i>I think Russ has got it covered. >>
Doggies...the true yardstick. Love 'em.
Lance.
A remote shutter release is fine but a camera with a timer option works just as well and is cheaper. Click, wait a few seconds, then the camera is triggered.
Lights must be consistent but can be very cheap. White balance on cameras or photo shop correct the color very well.
Mark's book helped me for sure.
I did OK but got stuck until I upgraded to an entry level SLR camera.
The macro lens would help me for closeups but doesn't seem to help when doing full slab shots. That bellows setup above looks cool!