Mint Director Calls for a "Neo-Renaissance of Coinage Design"

Director Moy recently made some key goal statements that have not been heard from the mint in quite a while. Anyone have comments on the following? What, if anything, can collectors do that will be positive and constructive?
As Mint director, one of the things I’d like to leave behind is to be known as a catalyst for a new Renaissance, a neo-Renaissance of coinage design that would reflect the best and the future of the new millennium instead of being rooted in doing redesigns of the past…
As we try to summarize everything we want to do in a simple sentence that would encapsulate our vision for where the Mint will head, it reads this: to embody the American spirit through the creation of our nation’s coins and medals…
As Mint director, one of the things I’d like to leave behind is to be known as a catalyst for a new Renaissance, a neo-Renaissance of coinage design that would reflect the best and the future of the new millennium instead of being rooted in doing redesigns of the past…
As we try to summarize everything we want to do in a simple sentence that would encapsulate our vision for where the Mint will head, it reads this: to embody the American spirit through the creation of our nation’s coins and medals…
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Comments
if they try to do it in isolation of bringing the coinage system
up to date.
That's a "win" isn't it?
<< <i>I'll belive him when I see it in detailed high relief, in mint packaging. >>
You're not holding your breath are you?
Didn't wanna get me no trade
Never want to be like papa
Working for the boss every night and day
--"Happy", by the Rolling Stones (1972)
<< <i>I'll belive him when I see it in detailed high relief, in mint packaging. >>
Relief could be raised if we weren't producing 10,000,000,000 coins with more "pot metal"
in them than their face value. Presses have to run high speed to keep up with the demand
of throwing this junk into the garbage.
THIS is a neo rennaissance:
All hail.
The high relief $50 gold coins will be sold only as part of a set that includes the 9 silver dollars surrounding the gold coin in the center in elliptical orbits as part of a presentation case for each of the coins. All presentation cases would bear a plaque with inscriptions that include the names and dates of the spacecraft missions on which astronauts lost their lives over the course of the space program.
Bronze medals duplicating the designs of the gold coins will also be sold.
Another curious observation about his statement, wanting as his legacy "to be known as a catalyst for a new Renaissance" (ignoring the semantics of what "new Renaissance" means) seems like a rather blurry ambition for a work perpetually in progress. He's the freakin' mint director with several denominations at his disposal for redesign without Congressional approval. He should want "to be known as having started the new Renaissance." I asked him about whether he'd have open design contests for future coinage or if it would be solely an internal mint project, and he said he would like to invite artists outside the mint to participate in the process. Start the design contests now!
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<< <i>What is a neo-rennaissance?
All hail. >>
modern art. I don't think a St Gaudens is needed so much as the committees need
to be excluded.
<< <i>We have the talent to create the best designs ever. We could incorporate more
modern art. I don't think a St Gaudens is needed so much as the committees need
to be excluded. >>
Based upon what I see in the State Quarter designs I doubt if this is true.
<< <i>We could incorporate more modern art. >>
I like the art on the coins at the turn of the century which represented art of the time. Then Art Deco came along which is present on many SCDs and European Artist Medals. By comparison, I'm not sure today's "modern art" would look good on small metal discs.
How much was Glenna Goodacre paid for the Sacagawea dollar design? $5,000 - the same as Saint-Gaudens 90 years before. To properly compensate a talented artist the commission should be approximately $50,000 - about one afternoon's pay for some moron-level street thug in the NBA.
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<< <i>
<< <i>What is a neo-rennaissance?
All hail. >>
8 years, sucks to be on the losing side huh? Maybe the Dems can pick a winner for you guys next time.
<< <i>Saint-Gaudens work was contracted for $5,000, and his estate was paid $6,000. Brenner got $1,000 and most other coin and medal commissions of the era ranged from $750 to $1,500. (Poor Bela Pratt was stiffed by Frank Leach for only $600.)
How much was Glenna Goodacre paid for the Sacagawea dollar design? $5,000 - the same as Saint-Gaudens 90 years before. To properly compensate a talented artist the commission should be approximately $50,000 - about one afternoon's pay for some moron-level street thug in the NBA. >>
You are missing the 5,000 specially prepared Presentation dollars that was part of Glenna's compensation package. The dollars included two types and would only have to be valued at $10 a piece to be $50,000 plus $5,000 in compensation. However, they are worth a lot more than $10 a piece so she was more than properly compensated if the going rate is $50,000.
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But the current US Mint arrangement in which coin designs are created has significant limitations. The big problem is that you have the artists in the AIP who come up with the graphic art (illustrations) for coins. But then a US Mint sculptor/engraver has to take over and sculpt it. No two artists ever have the same vision. But here you have a situation where multiple artists (and committees) have a hand in every coin design. Personally, I would not want to have to always sculpt designs created by someone else.
I think the solution is to revamp the AIP such that all submitted coins are in the form of a sculpture rather than a drawing. That way, committees reviewing potential coin designs can better see (in 3-D) what the final product would look like. In the present arrangement, a pencil drawing is approved for production and then it disappears and nobody sees any more until the coin is issued. But there are always deviations (sometimes undesireable) from the approved drawing whenever hand sculpture is involved.