1799 8 Reales with massive die crack
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Found this at a local show, a neat coin with the chopmarks and die crack.
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Robert Scot: Engraving Liberty - biography of US Mint's first chief engraver
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Nice coin either way.
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Josh Moran
CIVITAS Galleries, Ltd.
8 Reales Madness Collection
8 Reales Madness Collection
<< <i>Looks like a lamination, not a die crack, to me. >>
I vote for die crack.
"Boston" forgeries made between 1890 and 1930 for use by Merchants Trading with China. These are full weight silver struck coins made when silver prices fell to levels under 50 cents an ounce. The Chinese Merchants preferred Portrait 8Rs so the Boston merchants had jewelers make copies in full weight silver. They were often chop marked before they were sent to China. They are often treated as REAL by coin dealers because the silver content checks out perfectly.
Hope this helps,
~Roman
8 Reales Madness Collection
Remember: original portrait 8 Reales will always have two (or multiples of 2 if a coin popped-out of the edging machine) overlaps, exactly opposite of each other.
8 Reales Madness Collection
This one drips character with that heavy crack and the chops are a bonus.
But I gotta admit that you got my blood flowing with that 3 leaf 1795/1795
<< <i>
In a few previous posts I have referred to the subject of correct edging methods. Some time ago I made up a sketch of the process to explain it to a friend. I just found the sketch while cleaning out old pictures and thought it might help to explain what happened.
In the days of the open sided screw press (before 1836 in the US and before 1897 in Mexico) the edge design on a coin was applied in a separate step from the strike. The apparatus used to edge a coin blank - illustrated in "Hooknecks" by Hubbard and O'Harrow is straight forward. Two flat bar dies that both have the edge design are mounted parallel on the surface of the milling machine. One die is movable one is Fixed. The raw blank fits in between them. The movable die is cranked toward the fixed die squeezing the blank and imparting the design. Then the movable die is moved along parallel to the fixed die adding the design to the opposite sides of the blank at the same time. When the blank rolls 1/2 way around the whole thing has been edged and the pressure is released. The blank is a bit smaller in diameter and it has become a planchet with upset rims ready to strike.
The geometry of the apparatus means that what happens on one side has an effect on the opposite side. When getting to the end of the process - TWO OVERLAPS are created exactly opposite one another of the SAME length.
But if one side pops out of the edger - the other side shows the effect as well. If there is a clip on one side - the opposite side would not get edged as well. Think through what happens using a coin and two rulers - you should get the picture.
Here is the sketch. If I can find a copy of the actual apparatus in my files I will add it.
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8 Reales Madness Collection
Coin's for sale/trade.
Tom Pilitowski
US Rare Coin Investments
800-624-1870
<< <i>Also, the "reverse swastika" chop is sometimes present on the new, low silver Chinese forgeries. You should be able to spot those relatively easily - they are lighter in weight (around 25 grams) and the surfaces have a greasy feel to it (perhaps zinc in composition?) These also have a single overlap in the edge design.
Remember: original portrait 8 Reales will always have two (or multiples of 2 if a coin popped-out of the edging machine) overlaps, exactly opposite of each other. >>
I have to wonder, since the Mexican mints used the exact same apparatus to impart the edge design on the Pillar & Waves series and they were able to do so with only one overlap or no overlap at all - why would the Portrait series have to have two ?