Here's some sound advice
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This is OT and this thread will get blown up as soon as someone sees it but since this is the "Community" Message Board I felt compelled to pass along some sound advice.
GO SEE 'THE DEPARTED.'
Hands down the best film I've seen in years and I've seen more films than your average movie reviewer. It's right up there with Mean Streets, Raging Bull and Goodfellas as Scorsese at his best. I am going again tomorrow and feel comfortable saying I'll see it at least 8 times.
It's THAT good.
Arthur
GO SEE 'THE DEPARTED.'
Hands down the best film I've seen in years and I've seen more films than your average movie reviewer. It's right up there with Mean Streets, Raging Bull and Goodfellas as Scorsese at his best. I am going again tomorrow and feel comfortable saying I'll see it at least 8 times.
It's THAT good.
Arthur
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Comments
mike
I'll check it out this weekend.
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VintageJeff
Twice tomorrow though.
Arthur
"I spent 50% of my money on alcohol, women, and gambling. The other half I wasted.
The way so much information regarding character and plot is done without dialogue and instead through the actors performance and visual cues by Scorsese is something we unfortunately don't get too much of out of Hollywood anymore. There are numerous shots reminicent of other films (including a great one of Carol Reed's THE THIRD MAN) that reminds us just how much of a cerebral filmmaker Scorsese can be, even with a film that seems to be all about emotion.
Obviously, everyone won't like it (as this thread clearly demonstrates
Arthur
<< <i>Supposedly a remake of an old Hong Kong movie (ala Reservoir Dogs). >>
No supposedly about it, it is a remake of a 2002 film....
Mou gaan dou
Unfortunately, a majority of the film was shot in New York because the state of Massachusetts is currently one of the last state's to pull their head out of their rear and offer film productions any kind of incentive to shoot inside their borders. No tax breaks, no nothing. From what I've read the only scenes that were shot in Boston were the ones you simply had to, ie. exteriors with recognizeable landmarks (Beacon Hill, local highways, etc.). Scorsese really wanted to shoot the film in Boston but, alas, it was not to be. This is the reason this country is losing so many productions to places like Vancouver and such.
Arthur
Rick forces Ilsa to get on the plane with Victor instead of himself. After the plane safely departs Rick is forced to shoot Major Strasser and Capt. Renault covers for him. Rick and the Capt. end up walking off with a newfound respect for each other.
Arthur
<< <i>It's a version of a 2002 Alan Mak film called Internal Affairs. Essentially, the plot is roughly the same but the two films are very different.
Unfortunately, a majority of the film was shot in New York because the state of Massachusetts is currently one of the last state's to pull their head out of their rear and offer film productions any kind of incentive to shoot inside their borders. No tax breaks, no nothing. From what I've read the only scenes that were shot in Boston were the ones you simply had to, ie. exteriors with recognizeable landmarks (Beacon Hill, local highways, etc.). Scorsese really wanted to shoot the film in Boston but, alas, it was not to be. This is the reason this country is losing so many productions to places like Vancouver and such.
Arthur >>
So the costs of filming (security, tying up traffic, etc...) should be supported by the local populace? I could understand remote locales trying to attract junk like films, but if a filmaker wants to use Boston they should pay the price.
<< <i>
<< <i>It's a version of a 2002 Alan Mak film called Internal Affairs. Essentially, the plot is roughly the same but the two films are very different.
Unfortunately, a majority of the film was shot in New York because the state of Massachusetts is currently one of the last state's to pull their head out of their rear and offer film productions any kind of incentive to shoot inside their borders. No tax breaks, no nothing. From what I've read the only scenes that were shot in Boston were the ones you simply had to, ie. exteriors with recognizeable landmarks (Beacon Hill, local highways, etc.). Scorsese really wanted to shoot the film in Boston but, alas, it was not to be. This is the reason this country is losing so many productions to places like Vancouver and such.
Arthur >>
So the costs of filming (security, tying up traffic, etc...) should be supported by the local populace? I could understand remote locales trying to attract junk like films, but if a filmaker wants to use Boston they should pay the price. >>
The problem is that more times than not a shooting locale is a preference, not a necessity. So the production company heads somewhere more financially condusive and the original community loses out on millions of dollars in revenue. Financially speaking, the city/town needs the film production more than the film production needs the city/town.
Take a look at the tidal wave of money heading north to Canada because it's much more financially beneficial for the filmmakers to go there. Even look at domestic locations like Austin, TX that have blown up into giant film locations (topped only by LA and NY). Even in places like Massachusetts we're seeing more and more productions head down to RI. In LA we see more and more productions head north to Oregon and Washington. That's money lost because it's cheaper to pack up a crew and move them a state or two over then it is to stay.
Another thing is that things like security and traffic control are paid for by the filmmakers. What I'm talking about are percentage point tax reliefs and other accomodations. The amount of revenue brought in far outweighs the breaks going out.
Arthur
<< <i>Arthur...I want to see it shot on Shrewsbury Street down near Jeff's Pub and the Flying Rhino....lol >>
Bruce,
You're barking up the wrong tree.
I will be shooting a feature here in Worm Town next spring with a few local watering holes particpating. Wish me luck!
Arthur
ok..so if you need an extra let me know....
you know the ex-bouncer 235 lb. kinda biker/linebacker look....I'm your guy!!!
<< <i>Arthur,
ok..so if you need an extra let me know....
you know the ex-bouncer 235 lb. kinda biker/linebacker look....I'm your guy!!! >>
Bruce, you're in. Are you capable of downing a bottle of Jack in one gulp with a "College" sweater on?
Arthur
Will work for beer...lol
<< <i>just one bottle?? cummon....easy stuff...lol
Will work for beer...lol >>
Wow. You're cheap. I would never work for beer.
I'd work for whiskey though.
Arthur
Then we went to Shrewsbury St. for a night cap(?).....2 hours later...bar bill....$210....
So between supper and late night, our alcohol consumption was about 2 times our food cost!! lol
Now you know why I'll work for booze...lol
If I get to chug Jack...any chance of writing in a beer funnel too...I mean, if I'm wearing a college shirt..."when in Rome"
You're hitting all the wrong spots. Try Vincent's on Suffolk St or The Emerald Isle on Millbury St or Eddy's Pub on West Boylston Street. I went to the Emerald Isle with 5 friends and 3 girls. We ate dinner and drank from 5 PM till close. I had dinner and 16 Jack rocks and my portion of the bill was a little over $40. The best part was the bartender handing me my twelfth Jack.
"I don't know if I should give this to you ...:
"Why?"
"This is your twelfth Jack rocks."
"Am I loud? Do I seem drunk?"
"No. That's my concern."
Classic.
Arthur
This was one film that is right up my alley, subject wise and cast-wise, but I couldn't help but feel disappointed.
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Spoiler Space
1) Too much humor. For the first half of the movie, there's a lot of that quick Bostonese back-and-forth banter, especially with Marky Mark and Alec Baldwin, who sound like they were rehearsing for a SNL skit (which I'm sure will be happening). Some comic relief is good for a drama, like Baldwin enthusiastically (and ironically) yelling "Patriot Act, baby, Patriot Act!" But I think there was too much.
2) The windup of the double-mole stories wasn't drawn tight enough over a long enough time. I'd have like to see Damon really hunt Leo down, using his assumedly excellent detective skills, rather than the way it happened. And the wrap-up of their stories was very pat and over too quick.
3) Same for Nicholson's character. And the final final ending of the movie was too vague. Was Marky Mark on the payroll, or just out for payback?
4) Martin Sheen's accent was grating. I haven't spent a lot of time in New England, but enough to know that he was working too hard to keep it going.
End spoiler space.
Overall, it was a lot of fun, no doubt. But for me it ranks behind Raging Bull, GoodFellas, Age of Innocence, GoNY, and all his earlier stuff. I'd put it ahead of Casino, but only because that movie spent too much time on the Sharon Stone story. If that film had been all gangster stuff it would've been up there with the Godfathers.
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In a word, "Yes."
Almost every municipality that has embraced the opportunity
has profited big time.
The fastest expanding category of municipal agencies is an
equivalent of "The Office of Film Services." More medium sized
towns/cities have film offices than have Homeland Security Offices
as adjuncts to their standard Office of Civil Defense.
Film production brings nice clean money to municipalities fast, and
it builds their tourism base FOREVER. Dollars dropped by production
teams often circulate five or six times during production, and stay
in the community long after the team has split.
One of the few money-making ops conducted by local governments
are their film offices.
Production companies know the value of their presence and often
are among the most difficult negotiators that municipal governments
ever face. My advice to the bureaucrats has always been, "Talk
as tough as you want to, just make sure you get that production
for this town/city/state."
Twenty-five years++++ after any hot film is released, it will continue to
act as a magnet for tourist bucks that film buffs are eager to spend
on visiting famous movie locations. Film production is an investment
that keeps on giving to the populace of its host city.
storm
"I spent 50% of my money on alcohol, women, and gambling. The other half I wasted.