Stupid question-- is there such a thing as a proof colonial coin?
Well, is there? How common are these and what was the purpose of striking a proof colonial piece? For collectors? I noticed this book, "Breen's U.S. & Colonial Proof Coins 1722-1989", which I've seen before, but never focused on whether there are actually proof colonial pieces.
Always took candy from strangers
Didn't wanna get me no trade
Never want to be like papa
Working for the boss every night and day
--"Happy", by the Rolling Stones (1972)
Didn't wanna get me no trade
Never want to be like papa
Working for the boss every night and day
--"Happy", by the Rolling Stones (1972)
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Comments
Most of the colonial era issues of which documented proofs exist were struck in the UK, where minting technology was seemingly centuries ahead of the colonial US efforts. Such issues include Myddelton Tokens, various Hibernia issues, some Rosa Americana pieces, some Talbott, Alum & Lees, some Washington pieces, New York Theatre Token, etc.
Isolated spectacular examples of other series have been controversially described as proofs from time to time in the past, including a Nova Constellatio or two (the regular copper issue, not the pattern pieces Laura mentioned) and one particular Pitt Farthing, (both of which were also of UK origin). In this same category I would place the one 1767 French Colonies piece in the Ford sale (struck in France, by the way) and described there as a proof, and which I believe was clearly a proof, but which PCGS has subsequently graded MS67. As an aside, thats the highest graded non-restrike colonial at PCGS of any type.
I am not personally aware of proof strikings of any of the state coins or distinctly American origin pieces, but that doesn't mean they don't exist. Even if one did, I'm not sure it would be possible to tell if it was a proof striking or not.
As for the hows, and whys, I would suggest that many of those noted above were struck as presentation pieces either to demonstrate the coiners art, or to be given to dignitaries in hopes of securing a coinage contract, though some of the late 18th century Washington pieces and issues like the New York Theatre Token (UK, UK) were likely made for collectors of the time.
Didn't wanna get me no trade
Never want to be like papa
Working for the boss every night and day
--"Happy", by the Rolling Stones (1972)