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GOETZ: Opus 432 Gustav Stresemann

K-432 GUSTAV STRESEMANN, 1929, Cast AE,117.3mm, Choice UNC, edge incuse punch, RR (in this size).

Commemorating the German Foreign Minister on the occasion of his death October 3, 1929. Obverse: Stresemann bust left. Reverse shows marking stones of his career with “Locarno 1925, Thiory, Geneva (League of Nations) 1926, Haag (Young Plan) 1929.” In 1926 Stresemann shared the Nobel Peace Prize with Briand. Further Reading

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I always hate to reduce the images in order for them to fit on most of your monitors…I feel a lot of the “art” of the pieces is lost. Case in point…shown below, the image presented at 800x400 pixels almost allows you to walk into the scene. This is an excellent example of a museum quality Goetz piece. This opus was also struck in 36 & 60 mm pieces. Additionally, 22mm struck pieces in gold were made. I have one but have yet to image the gold.

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Comments

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    Real nice detail on this one.
    Bill

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    09/07/2006
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    That's really cool cacheman! image
    Analog Rules! Knobs and Switches are cool!
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    oldshepoldshep Posts: 3,240
    I'm out of words to express the admiration for these new Goetz posts - I guess I'll just sit back and enjoyimage
    Shep
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    cachemancacheman Posts: 3,113 ✭✭✭
    I like the "waver" he added to the reverse rim edge. I haven't seen this in any other pieces so far. Although it may not appear even around the perimeter, it is and it makes it mysterious in a way.
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    AskariAskari Posts: 3,713
    I hadn't noticed the "waver" before, but it does add a sort of "wateriness" to the graveyard scene, as though one was looking through tear-filled eyes.
    Askari



    Come on over ... to The Dark Side! image
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    WeissWeiss Posts: 9,935 ✭✭✭✭✭
    Hey Cacheman,

    I enjoy seeing your posts, and can appreciate the history captured in those pieces. But his designs seem a little cartoonish, in my uneducated opinion, compared to some of the other sculptors I'm more familiar with (like St. Gaudens).

    Does that sound like a fair criticism, or am I mis-interpreting his style? He seems to have designed during the surreal-to-post-modern era, if I'm figuring his subjects correctly. Do you reckon that is the place he was coming from?
    We are like children who look at print and see a serpent in the last letter but one, and a sword in the last.
    --Severian the Lame
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    oldshepoldshep Posts: 3,240
    Weiss - the following is a comment I made from a previous Goetz post that might explain a little about his style:

    Boy, a lot going on there! Once again I'm struck by the "two Goetz's" One is a great artist with the ability to excute exacting portraits in metal relief, the other is the "political cartoonist" using cartoonish figures and scenes to express a point of view.

    Shep
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    WeissWeiss Posts: 9,935 ✭✭✭✭✭
    Ahh. Glad I'm not the only one who sees it! image

    Makes sense. I wasn't thinking political cartoonist. Certainly understandable in that light!
    We are like children who look at print and see a serpent in the last letter but one, and a sword in the last.
    --Severian the Lame
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    cachemancacheman Posts: 3,113 ✭✭✭
    Weiss, were you asking about his satirical pieces, or his general work overall? Do a search here on "GOETZ" and take a look at the 60 or so pieces I have posted about and let me know.
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    WeissWeiss Posts: 9,935 ✭✭✭✭✭
    Didn't realize there was a distinction between the two. Perhaps that was the problem. Lumped together mentally, but viewed individually and taken at face value (pardon the pun), they seemed to be hit or miss--some very stoic and serious, others cartoon-y.
    We are like children who look at print and see a serpent in the last letter but one, and a sword in the last.
    --Severian the Lame
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