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New Camera and pics
rmpsrpms
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I've been using a Nikon D7000 for over a year now for my coin photos, and before that I used a D5000, so I've been pretty much in the Nikon camp. When I bought the D7000 I gave the D5000 to my wife, and have been using the D7000 for both coin photos and regular photos on trips and such. I have put a lot of time and energy into building my coin photo setup so that I can easily change out the camera from coin setup to walk-around use, but in the last few months I've been getting annoyed having to swap it in and out, and decided to buy a camera body to dedicate to coin photos. But what to buy?
In the last year I've read a lot about the Canon line and how they have a special electronic shutter function that reduces vibration due to the shutter operating. The function is called "Electronic First Shutter Curtain" (EFSC) and while it is not documented as a vibration reduction method by Canon, it is accessed by choosing the "Q" or Quiet mode. I was intrigued, as comparison photos I'd seen showed better sharpness with EFSC activated, especially for macro and super-macro shots (like 5x shots of varieties and such).
Well, I finally decided to pull the trigger and buy a Canon T2i, and it is now a permanent fixture on my coin photo setup. I've taken about 60 pics with it so far, and it has worked great. I'm finding it to produce slightly sharper images than the D7000, and better color fidelity (closer to real life colors), but with poorer immunity to over-exposed highlights. This has taken some getting used to, but I think my last few images have equaled my earlier Nikon images for exposure and exceeded them for sharpness and color, so I thought it might be time to share.
Here's a coin from a toned roll of 1957-D Lincoln Cents. I kept 19 coins from the OBW roll this came from, and had photographed about half of them with the Nikon before getting the Canon. This coin is #13 from the roll:
In the last year I've read a lot about the Canon line and how they have a special electronic shutter function that reduces vibration due to the shutter operating. The function is called "Electronic First Shutter Curtain" (EFSC) and while it is not documented as a vibration reduction method by Canon, it is accessed by choosing the "Q" or Quiet mode. I was intrigued, as comparison photos I'd seen showed better sharpness with EFSC activated, especially for macro and super-macro shots (like 5x shots of varieties and such).
Well, I finally decided to pull the trigger and buy a Canon T2i, and it is now a permanent fixture on my coin photo setup. I've taken about 60 pics with it so far, and it has worked great. I'm finding it to produce slightly sharper images than the D7000, and better color fidelity (closer to real life colors), but with poorer immunity to over-exposed highlights. This has taken some getting used to, but I think my last few images have equaled my earlier Nikon images for exposure and exceeded them for sharpness and color, so I thought it might be time to share.
Here's a coin from a toned roll of 1957-D Lincoln Cents. I kept 19 coins from the OBW roll this came from, and had photographed about half of them with the Nikon before getting the Canon. This coin is #13 from the roll:
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Comments
Is that a small die crack between the "S" and "T" in trust?
Ron
<< <i>Is that a small die crack between the "S" and "T" in trust? >>
Looks more like a die scratch to me.
Franklin-Lover's Forum
Looking for Top Pop Mercury Dime Varieties & High Grade Mercury Dime Toners.
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Great pictures !!!
The photo is truly extraordinary, and I can't imagine what more anyone could require in the picture of a coin.
I would judge the coin to grade MS67 or 67+ RB, perhaps red. Large blow-ups will make even small marks seem damning, but even
at high magnification, the shoulder of this Lincoln is very clean, as are the fields. (I have seen MS67s with what
looks like birdshot all over the shoulder ... to the naked eye, no less.)
What a beauty!
Whit
<< <i>Can you describe what your setup is like? >>
Yes, please tell us about it. I'm especially interested in what macro lens you're using. I've been sitting on the fence about buying a Canon EOS T2i for about a month and I haven't pulled the trigger yet, but your photos may have pushed me over the edge.
I think your success is due more to the lens, settings and lighting. Canon cameras are great as that is what I use as well, but if your setup is lacking they can still take inferior photos.
It looks like all the stars were aligned when you snapped the shutter.
- Bob -
MPL's - Lincolns of Color"Central Valley" Roosevelts
My Original Song Written to my late wife-"Plus other original music by me"
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phenomenal images
i cannot even come close to that with my d90, i need to learn how to use this thing properly with the correct lighting
grade: 66+rb or 67rb - with images like those i don't mind offering a GTG
3 pieces of info if you are willing to give them
1. bulb type and quantity
2. f stop setting
3. distance of lens to coin
thanks and well done
.
<--- look what's behind the mask! - cool link 1/NO ~ 2/NNP ~ 3/NNC ~ 4/CF ~ 5/PG ~ 6/Cert ~ 7/NGC 7a/NGC pop~ 8/NGCF ~ 9/HA archives ~ 10/PM ~ 11/NM ~ 12/ANACS cert ~ 13/ANACS pop - report fakes 1/ACEF ~ report fakes/thefts 1/NCIS - Numi-Classes SS ~ Bass ~ Transcribed Docs NNP - clashed coins - error training - V V mm styles -
OK, so we know what camera you are using, but what about the lens. Which one was this taken with?
Cheers !
<< <i>OK, so we know what camera you are using, but what about the lens. Which one was this taken with? >>
This was taken with a 75mm f4 Rodenstock Apo Rodagon D M1:1, a lens designed for slide and film duplicating. It's optimized for 1:1 imaging, but works great from 1:2 (Morgan Dollar full field) up to 2:1 (Cent Date and Mintmark). The lens is significantly sharper than ANY other lens I've tried with the exception of the Nikon Printing-Nikkors, which were also designed for film duplicating.
<< <i>3 pieces of info if you are willing to give them
1. bulb type and quantity
2. f stop setting
3. distance of lens to coin >>
1) I'm using two Jansjo LED gooseneck lamps, $10 each at IKEA. They are diffused with Canson Opalux ($4 per sheet at Amazon) to minimize chroma noise ("red and blue sparklies")
2) f5.6
3) 150mm (edited from 100mm...that's the distance of lights to coin)
<< <i>Can you describe what your setup is like? >>
The overall setup is:
Canon T2i
Modified Bausch & Lomb Microscope Stand
Modified Vivitar Bellows
Rodenstock Lens
Diffused IKEA Jansjo LED lamps
Here's a pic:
http://macrocoins.com
<< <i>I'd like to see what you can do with a steel cent. Beautiful pics!!! >>
Here's a 1943-D
http://macrocoins.com
Coin Rarities Online
No getting around the fact that the results are phenomenal.
Can you show us images of slabbed coins?
You've done a great job putting this setup together. Did you have much difficulty finding and making these different parts work so well together?
- Bob -
MPL's - Lincolns of Color"Central Valley" Roosevelts
<< <i>A little more sophisticated than the thread title would you to believe. I think with this setup, the model or make of camera was certainly of secondary importance compared to the other tools utilized.
No getting around the fact that the results are phenomenal.
Can you show us images of slabbed coins?
You've done a great job putting this setup together. Did you have much difficulty finding and making these different parts work so well together? >>
Well, I've covered the setup in several earlier posts, only change for a while is the camera, so I viewed the change as incremental, but folks may just be seeing the setup for the first time in this post.
It did take a while to get this all together, and it's been a blast doing it!
I am posting this from work (don't tell the boss) so will post a slab coin or two later tonight or tomorrow AM
Thanks,
Ray
http://macrocoins.com
So is that just a regular lens on a bellows, or is it a macro lens plus the bellows?
-Paul
<< <i>Wow, those are some GREAT shots!! Very cool setup too!
So is that just a regular lens on a bellows, or is it a macro lens plus the bellows?
-Paul >>
It's a Macro/Duplicating lens on bellows. The difference is that duplicating lenses are optimized for performance at around 1:1 magnification, so work better than normal macro lenses which are typically optimized at lower magnifications, and have to compromise performance to get good infinity focus as well...Ray
http://macrocoins.com
So many elements go into taking great photos. One weak link and it all goes to pot.
Beautiful '43-D too. Looks like a 68!
Lance.
Wonderful coin
Wonderfully informative thread.
I have the same camera body and I'm currently shopping for a copy stand.
66RB+ on the beautiful cent.
AB
<< <i>Can you show us images of slabbed coins? >>
Here's the obverse of a toned 1909-VDB in OGH PCGS MS64RD. Would look a lot better if I polished the slab. I am showing the un-processed image (no cropping) so you can see how I shape and arrange the lights so they are as high as possible but don't glare on the slab surface over the coin (except on the scratches...):
http://macrocoins.com
- Bob -
MPL's - Lincolns of Color"Central Valley" Roosevelts
Hoard the keys.
A couple of questions:
1) Can you briefly describe the modifications to the microscope stand and bellows?
2) Roughly how much would it cost to assemble a similar rig?
Thanks in advance.
<< <i>That is a very nice pic. As for the coin will they graded it with the rim like that at 4 O'clock on the rev? >>
Just noticed that on my monitor.
I gave it a 66RB+ based on my cell phone display earlier.
Some coins require much different lighting, of course. Brown copper vs. a lustrous white coin, let's say.
I love what you've shown.
Lance.
<< <i>Hey, thanks a lot for posting all of this fascinating info. You may have inspired me to invest in a photo rig!
A couple of questions:
1) Can you briefly describe the modifications to the microscope stand and bellows?
2) Roughly how much would it cost to assemble a similar rig?
Thanks in advance. >>
The standard Bausch & Lomb "A-Stand" comes with a hoop for mounting the stereo microscope pod. The modification is to remove the hoop mount, and replace it with a piece of aluminum bar stock that forms the mount for the bellows. The bar stock has to be drilled and tapped to accept the screws that originally held the hoop mount in place, and drilled at the top for a 1/4" screw to mount the bellows (or camera...).
The standard Vivitar bellows has three 1/4" mounting options: front bracket attached to the rails; front lens mount; and rear camera mount. The front and rear lens/camera mounts are on the same plane, but the front bracket mount sits lower than the other mounts so gets in the way if you try to mount the bellows using a lens/camera mount. The modification is to remove the front bracket mount, or at least the part of it that sticks out below the other mounts, so that the bellows can be mounted to the A-Stand using a lens/camera mount.
Typical eBay prices are:
A-Stand: $75
Vivitar Bellows: $60
75ARD1 lens: $250
Adapters: $20
There are other lens options that are cheaper, though few that produce the sharpness and color fidelity of the 75ARD1.
The IKEA Jansjo lights are $10 each, but you have to buy them at a B&M IKEA store.
http://macrocoins.com
ty for sharing and taking the time to do a Q&A
.
<--- look what's behind the mask! - cool link 1/NO ~ 2/NNP ~ 3/NNC ~ 4/CF ~ 5/PG ~ 6/Cert ~ 7/NGC 7a/NGC pop~ 8/NGCF ~ 9/HA archives ~ 10/PM ~ 11/NM ~ 12/ANACS cert ~ 13/ANACS pop - report fakes 1/ACEF ~ report fakes/thefts 1/NCIS - Numi-Classes SS ~ Bass ~ Transcribed Docs NNP - clashed coins - error training - V V mm styles -
Thank you for sharing too...
I'm very impressed!!!
I just started dabbling with coin photography a month or so ago and I have to admit that it's a bit more challenging
than one might expect.
I made my living as a photographer for many years and my specialty was macro and photomicrography so one would think that it would come easily....This hasn't been the case though.
As you well know, vibration is a huge problem when working at high magnification and the most common means of dealing with that challenge was to use electronic flash. Problem with that though Is that it's tough to precisely control the quality of the lighting when working up close. For larger subjects, strobes with modeling lights coordinate the two, but in macro this doesn't apply..
You mention the use of copy lenses as well. Enlarging lenses were excellent for super close up work and it's interesting to note that you're utilizing them. You've done your homework and research. I'd forgotten that old technique and it cheers me that not all the old craft has disappeared with the digital revolution.
It looks like that anti vibration feature with the Canon works very well.
I was messing around a bit today with my old macro set up and some coins and shooting some 5x shots with incandescent
Lamps and my old bellows. It was REALLY tough to get sharp/crisp shots! I might just try my strobe again!
In any case, my coin photos aren't anywhere near the quality of yours and some of the others who share images on this forum!
I transitioned into another profession about 7 years ago but that's no excuse!!!
Super work there!!!! And I really appreciate the forum here and all the great info and insight that's shared!
Thank you'
Happy, humble, honored and proud recipient of the “You Suck” award 10/22/2014
http://macrocoins.com