My prayers go to all of Paul Newmans friends and family members. He certainly had a passion for life, whether it was acting or his love for racing. RIP
collecting RAW Topps baseball cards 1952 Highs to 1972. looking for collector grade (somewhere between psa 4-7 condition). let me know what you have, I'll take it, I want to finish sets, I must have something you can use for trade.
looking for Topps 71-72 hi's-62-53-54-55-59, I have these sets started
the hustler was 61 cool hand luke 67 the color of money 86. he may not know the hustler
i watched the hustler and cool hand luke a long time after they came out, but like them both. i also really liked the sting, i watch it everytime its on. i'm sure some of these classics will be on soon because of his passing.
Fred
collecting RAW Topps baseball cards 1952 Highs to 1972. looking for collector grade (somewhere between psa 4-7 condition). let me know what you have, I'll take it, I want to finish sets, I must have something you can use for trade.
looking for Topps 71-72 hi's-62-53-54-55-59, I have these sets started
jrinck, we may be showing our age talking about movies before the color of money???? we're also missing butch cassidy and the sundance kid and of course slapshot
Fred
collecting RAW Topps baseball cards 1952 Highs to 1972. looking for collector grade (somewhere between psa 4-7 condition). let me know what you have, I'll take it, I want to finish sets, I must have something you can use for trade.
looking for Topps 71-72 hi's-62-53-54-55-59, I have these sets started
collecting RAW Topps baseball cards 1952 Highs to 1972. looking for collector grade (somewhere between psa 4-7 condition). let me know what you have, I'll take it, I want to finish sets, I must have something you can use for trade.
looking for Topps 71-72 hi's-62-53-54-55-59, I have these sets started
<< <i>jrinck, we may be showing our age talking about movies before the color of money???? we're also missing butch cassidy and the sundance kid and of course slapshot >>
I'm 37, which is the Purgatory of age. I'm not young anymore, but I'm not old yet. I'm pretty much at the top of the hill and starting to get nervous about the upcoming trip down
Minnesota Fats: Shoot pool Fast Eddie Eddie Felson: I'm shootin' pool Fats, when I miss you can shoot.
This really bums me out. Newman was one of my favorites. I loved The Hustler, The Color of Money, Cat on a Hot Tin Roof, Cool Hand Luke, The Young Philadelphians...the list goes on. R.I.P.
I only watched The Hustler after the Color of Money came out. The progression was pretty cool. Kind of like watching the last 3 Star Wars movies knowing they lead up to the movies you had already seen.
<< <i>jrinck, we may be showing our age talking about movies before the color of money???? we're also missing butch cassidy and the sundance kid and of course slapshot >>
I'm 37, which is the Purgatory of age. I'm not young anymore, but I'm not old yet. I'm pretty much at the top of the hill and starting to get nervous about the upcoming trip down >>
i'm 39 and closer to the trip down and i'm not looking forward to it either.
Fred
collecting RAW Topps baseball cards 1952 Highs to 1972. looking for collector grade (somewhere between psa 4-7 condition). let me know what you have, I'll take it, I want to finish sets, I must have something you can use for trade.
looking for Topps 71-72 hi's-62-53-54-55-59, I have these sets started
Its a sad day indeed. He is a helluva actor and did so many worthwhile things for people who were not as fortunate. Plus an incredible passion for life. RIP Paul, you will be missed.
Collecting Interests: Ripken, Brooks & Frank Robinson, Old Orioles, Sweet Spot Autos, older Redskins - Riggins, Sonny, Baugh etc and anything that catches my eye.
My ghetto sportscard webpage...All Scans - No Lists!!! Stinky Linky
Slender Material Made Good by the Performances., 11 April 2005
Author: chconnol from New York, N.Y.
"Rachel, Rachel" received a lot of praise and recognition upon it's release in 1968. This was primarily due to the then powerhouse couple "du-jour", Paul Newman and Joanne Woodward. He directed, she starred in this character study of a 35 year old second grade school teacher (Woodward) who realizes at the beginning of the summer season that she's middle aged and, in her words, it's all downhill into the grave from here.
We've seen this kind of character study before, most notably in David Lean's splendid "Summertime" with Katherine Hepburn. Like Woodward's character here in "Rachel, Rachel", Hepburns character was middle aged (more far along that Woodward's character is to boot), a school teacher and a spinster (read: virgin) looking, maybe, JUST maybe to find love at last. The two heroines do find love in men who are amorous and good looking but alas, not available. But while Hepburn's affair was pure romance and the mood was one of sheer beauty and joy, Woodward's character experiences it as yet another painful event in a life spent too cautiously. Her Rachel is controlled and allows herself to be controlled by others, especially her shrill, domineering and demanding Mother.
What most likely made "Rachel, Rachel" seem extraordinary back in 1968 was the "frank" and "adult" themes and the composition of some of the shots. For example, the film has a full on lesbian kissing scene. It's a nicely done bit of business that must've seen way out in the late 60's when progressive film making was just making inroads in American film making. In addition, the film has what for the times must've been fairly explicit sex scenes between Woodward and James Olsen. Nothing beyond a bare back is shown but the raciness must've seemed very daring. By today's standards, "Rachel, Rachel" would barely warrant a very tepid PG-13 rating.
One gets the feeling after watching "Rachel, Rachel" that the creators felt that the character of Rachel was compelling in and of itself. It's not. The fact that she's inhabited by Ms. Woodward does make the character a lot more interesting and believable than the material warrants. Woodward is superb here. You immediately understand her character and she gets our sympathies with little or no effort. The problem is that she's such a pleasant and pretty woman that it's difficult to understand why she's so lonely or has allowed herself to withdraw so completely.
As for the rest of the small cast, Estelle Parsons plays her only friend and fellow school teacher who might be hiding more than she's letting on. She's fine but in that peculiar and "unique" Parsons way that can be both irritating (as she was at times in "Bonnie & Clyde) and endearing at times as she is here. James Olson is perfectly fine as Nick Kazlik, Rachel's first lover. He's comes across both sexually charged and adventurous. You have no problem believing that Rachel would be held spellbound by his attentions and heartbroken when she learns his true intentions. Her Mother is played by Kate Harrington who is so shrill and one dimensional that you cannot understand why Rachel would put up with her. And there's baffling turn at the very end when Rachel finally confronts the Mother to say she's going to move away to Oregon and she asks the Mother to come along with her. It's a strange and inconsistent development because up until this point, we've been made to feel that it's the Mother who has held Rachel back and it would be best to get AWAY from her.
Donald Moffat plays Rachel's undertaker father, only in flashbacks. These scenes are of little consequence because they tell us next to nothing about how their relationship possibly effected Rachel in any way. They're like extra flourishes that serve no purpose at all.
There are so many elements that are left unexplained and unexamined in "Rachel, Rachel" that despite the nice camera-work and cinematography, the film feels incomplete. Does Rachel have a fascination with death because she lived with it for so long? And if so, how is this effecting her outlook on life? Who was in the photograph that Nick showed her? Was it his son? Why did Estelle Parson's character seek God in the church? Was she feeling guilty about her sexuality? And as mentioned above, why did Rachel choose to take the Mother with her to Oregon? Was it only the small town that held her back? "Rachel, Rachel" is nicely directed by Paul Newman in an unobtrusive style. He doesn't go into any big camera effects. The problems with he film lie in the basic storyline and the sketchy characterizations. It must've seemed very modern, adult and cutting edge upon it's release. But seen nearly 40 years later, it feels very quaint, slender and inconsequential despite the fine performance of Joanne Woodward.
30
Folks Who Bite Get Bitten. Folks Who Don't Bite Get Eaten.
Comments
collecting RAW Topps baseball cards 1952 Highs to 1972. looking for collector grade (somewhere between psa 4-7 condition). let me know what you have, I'll take it, I want to finish sets, I must have something you can use for trade.
looking for Topps 71-72 hi's-62-53-54-55-59, I have these sets started
<< <i>Guess I am not old enough to remember him as Cool Hand Luke. I will always remember him as Fast Eddie Felson. >>
Wasn't Cool Hand Luke AFTER The Hustler?
the hustler was 61 cool hand luke 67
the color of money 86. he may not know the hustler
i watched the hustler and cool hand luke a long time after they came out, but like them both. i also really liked the sting, i watch it everytime its on. i'm sure some of these classics will be on soon because of his passing.
collecting RAW Topps baseball cards 1952 Highs to 1972. looking for collector grade (somewhere between psa 4-7 condition). let me know what you have, I'll take it, I want to finish sets, I must have something you can use for trade.
looking for Topps 71-72 hi's-62-53-54-55-59, I have these sets started
collecting RAW Topps baseball cards 1952 Highs to 1972. looking for collector grade (somewhere between psa 4-7 condition). let me know what you have, I'll take it, I want to finish sets, I must have something you can use for trade.
looking for Topps 71-72 hi's-62-53-54-55-59, I have these sets started
collecting RAW Topps baseball cards 1952 Highs to 1972. looking for collector grade (somewhere between psa 4-7 condition). let me know what you have, I'll take it, I want to finish sets, I must have something you can use for trade.
looking for Topps 71-72 hi's-62-53-54-55-59, I have these sets started
<< <i>jrinck, we may be showing our age talking about movies before the color of money???? we're also missing butch cassidy and the sundance kid and of course slapshot >>
I'm 37, which is the Purgatory of age. I'm not young anymore, but I'm not old yet. I'm pretty much at the top of the hill and starting to get nervous about the upcoming trip down
Eddie Felson: I'm shootin' pool Fats, when I miss you can shoot.
This really bums me out. Newman was one of my favorites. I loved The Hustler, The Color of Money, Cat on a Hot Tin Roof, Cool Hand Luke, The Young Philadelphians...the list goes on. R.I.P.
My Podcast - Now FEATURED on iTunes
<< <i>
<< <i>jrinck, we may be showing our age talking about movies before the color of money???? we're also missing butch cassidy and the sundance kid and of course slapshot >>
I'm 37, which is the Purgatory of age. I'm not young anymore, but I'm not old yet. I'm pretty much at the top of the hill and starting to get nervous about the upcoming trip down
i'm 39 and closer to the trip down and i'm not looking forward to it either.
collecting RAW Topps baseball cards 1952 Highs to 1972. looking for collector grade (somewhere between psa 4-7 condition). let me know what you have, I'll take it, I want to finish sets, I must have something you can use for trade.
looking for Topps 71-72 hi's-62-53-54-55-59, I have these sets started
"what we have here is failure to communicate"
MULLINS5,1966CUDA,nam812,nightcrawler,OAKESY25,PowderedH2O,relaxed,RonBurgundy,samsgirl214,shagrotn77,swartz1,slantycouch,Statman,Wabittwax
He will be missed.
RIP
Ripken, Brooks & Frank Robinson, Old Orioles, Sweet Spot Autos, older Redskins - Riggins, Sonny, Baugh etc and anything that catches my eye.
My ghetto sportscard webpage...All Scans - No Lists!!! Stinky Linky
///////////////////////////////////////////////////
In 1968, PN engaged his first project as a director. It was a HUGE event, at the time.
We camped-out in NYC and watched it all day, on opening day.
Below is a rather "negative" review, written in the more modern day.
............................
..............................
Slender Material Made Good by the Performances., 11 April 2005
Author: chconnol from New York, N.Y.
"Rachel, Rachel" received a lot of praise and recognition upon it's release in 1968. This was primarily due to the then powerhouse couple "du-jour", Paul Newman and Joanne Woodward. He directed, she starred in this character study of a 35 year old second grade school teacher (Woodward) who realizes at the beginning of the summer season that she's middle aged and, in her words, it's all downhill into the grave from here.
We've seen this kind of character study before, most notably in David Lean's splendid "Summertime" with Katherine Hepburn. Like Woodward's character here in "Rachel, Rachel", Hepburns character was middle aged (more far along that Woodward's character is to boot), a school teacher and a spinster (read: virgin) looking, maybe, JUST maybe to find love at last. The two heroines do find love in men who are amorous and good looking but alas, not available. But while Hepburn's affair was pure romance and the mood was one of sheer beauty and joy, Woodward's character experiences it as yet another painful event in a life spent too cautiously. Her Rachel is controlled and allows herself to be controlled by others, especially her shrill, domineering and demanding Mother.
What most likely made "Rachel, Rachel" seem extraordinary back in 1968 was the "frank" and "adult" themes and the composition of some of the shots. For example, the film has a full on lesbian kissing scene. It's a nicely done bit of business that must've seen way out in the late 60's when progressive film making was just making inroads in American film making. In addition, the film has what for the times must've been fairly explicit sex scenes between Woodward and James Olsen. Nothing beyond a bare back is shown but the raciness must've seemed very daring. By today's standards, "Rachel, Rachel" would barely warrant a very tepid PG-13 rating.
One gets the feeling after watching "Rachel, Rachel" that the creators felt that the character of Rachel was compelling in and of itself. It's not. The fact that she's inhabited by Ms. Woodward does make the character a lot more interesting and believable than the material warrants. Woodward is superb here. You immediately understand her character and she gets our sympathies with little or no effort. The problem is that she's such a pleasant and pretty woman that it's difficult to understand why she's so lonely or has allowed herself to withdraw so completely.
As for the rest of the small cast, Estelle Parsons plays her only friend and fellow school teacher who might be hiding more than she's letting on. She's fine but in that peculiar and "unique" Parsons way that can be both irritating (as she was at times in "Bonnie & Clyde) and endearing at times as she is here. James Olson is perfectly fine as Nick Kazlik, Rachel's first lover. He's comes across both sexually charged and adventurous. You have no problem believing that Rachel would be held spellbound by his attentions and heartbroken when she learns his true intentions. Her Mother is played by Kate Harrington who is so shrill and one dimensional that you cannot understand why Rachel would put up with her. And there's baffling turn at the very end when Rachel finally confronts the Mother to say she's going to move away to Oregon and she asks the Mother to come along with her. It's a strange and inconsistent development because up until this point, we've been made to feel that it's the Mother who has held Rachel back and it would be best to get AWAY from her.
Donald Moffat plays Rachel's undertaker father, only in flashbacks. These scenes are of little consequence because they tell us next to nothing about how their relationship possibly effected Rachel in any way. They're like extra flourishes that serve no purpose at all.
There are so many elements that are left unexplained and unexamined in "Rachel, Rachel" that despite the nice camera-work and cinematography, the film feels incomplete. Does Rachel have a fascination with death because she lived with it for so long? And if so, how is this effecting her outlook on life? Who was in the photograph that Nick showed her? Was it his son? Why did Estelle Parson's character seek God in the church? Was she feeling guilty about her sexuality? And as mentioned above, why did Rachel choose to take the Mother with her to Oregon? Was it only the small town that held her back? "Rachel, Rachel" is nicely directed by Paul Newman in an unobtrusive style. He doesn't go into any big camera effects. The problems with he film lie in the basic storyline and the sketchy characterizations. It must've seemed very modern, adult and cutting edge upon it's release. But seen nearly 40 years later, it feels very quaint, slender and inconsequential despite the fine performance of Joanne Woodward.
30
Just goes to show--i am getting older
He portrayed former Middleweight Champ Rocky Graziano and I
remember my father would call me inside to watch it everytime it was on TV.
R.I.P. Mr. Newman,
PoppaJ
<< <i>RIP Reggie Dunlap..........
AMEN
Long live cool