I like the first one better. It just has better eye appeal. I don't know what caused the toning for the first one (and do for the second one), but I don't think either are AT, so what does it matter.
Banned for Life from The Evil Empire™! Looking for Nationals, Large VF to AU type, 1928 Gold, and WWII Emergency notes. Also a few nice Buffalo Nickels and Morgan Dollars. Monty...
The first one looks like the charter oak on a very stormy day. Perhaps the day that the brits searched but couldn't find the charter they were so badly seeking.
The second one has nicer overall eye appeal to me.
Coin #2 for me. I think it has an interesting future, and I trust the toning. Coin one may be original, but I am not certain, nor would I likely ever be. The dark toning contrasts to much for my tastes with the brilliant background.
Developing theory is what we are meant to do as academic researchers and it sets us apart from practitioners and consultants. Gregor
I would not be looking to purchase either one due to lack of eye-appeal, but I would say I prefer the second coin as it seems to have aged "more gracefully". Joe
I like the reverse of the first one because it's well preserved. There's a little discoloration around the edge, but otherwise it's in remarkably original condition.
I'd take number 2 although I don't care for either of them. The toning patches on #1 look to be so deep that they are bordering on damage. Like some others I’ve never been a big fan of spotty toning like that, which is on #2. In their favor is that fact the area around the eagle is sooth with no big marks, which often plague this issue. Still I’d pass on these two, try to find another.
(BTW I’ve got two in stock, both PCGS MS-65. One is nice; the other is REALLY nice for the grade.)
Retired dealer and avid collector of U.S. type coins, 19th century presidential campaign medalets and selected medals. In recent years I have been working on a set of British coins - at least one coin from each king or queen who issued pieces that are collectible. I am also collecting at least one coin for each Roman emperor from Julius Caesar to ... ?
the second would be my choice for fewer marks, and since they both need a good dip, also think the second coin would come out better from that, the toning on the tree side of the first looks a little thick to dip off very will, luster might be impeded.
I opened your post expecting to see a couple of historically significant, mellowed old 1787 Connecticut coppers and instead I find these -
Reminds me of the time I had an Abott-and-Constello-routine-meets-numismatics experience while lot viewing at Heritage's Dallas office. I requested to see a 1786 Vermont Landscape I knew they had in their inventory and the guy there kept asking me if I wanted the NGC or PCGS example in MS65 - I think we went back and forth 11 times before either of us knew what the heII the other was talking about.
But as long as I'm here - that first coin scares me. I agree with Bill Jones' comment - I personally wouldn't accept number 1 as a 'healthy' coin.
<< <i>The best toning for a commem is either a nice light even toning ,darkening somewhat around the..... >>
What you are talking about (and I'm sure you realize this Bear) is personal preference.
A thread like this makes me see just how out of step I seem to be as concerns certain types of toning. As in, there is no appreciation for certain types of toning that I seem to appreciate.
In person, I believe I would prefer the second coin. I like the satiny original luster, I like the crescent of toning on the obverse. Yes, it's that dreaded word "original" that seems to send up so many flags. But, in my life outside of numismatics I gravitate to a lot of art that doesn't seem to win the popular vote either.
Singapore-- amazing how one can actually see a curled lip in the written word. I take it commemoratives aren't your cup of tea. Roll on Columbia.
Mark-- Interesting, cool pieces... thanks for the show.
And I bow to you, Mr. Bear. I would love to see the pieces you picked up from Coinguy. I was (and am) very excited to hear that you were turning your attention to commems. The pieces you describe as liking--don't get me wrong--I love a lightly golden, or pastel toned commem. I like a lot of different types of toning on commems.
I would like to think that I have come by this appreciation of toning through experience and observation. The alternative is that I wouldn't know a good coin if it bit me in the arse. In the wee, dark hours of the night even the most confident, occasionally must doubt.
Thank you for the compliment, Bear. If I write another "Good Morning Class" thread, I promise I'll hook you up with Lucy again.
Actually I used to collect them years ago and don't dislike them per se -
And I absolutely agree with you to the extent that I really prefer a nice original toned piece as opposed to one that was blasted white a week ago in someone's kitchen.
But subjectively I'd say that silver doesn't always mellow in an attractive pattern - sometimes its blotchy or otherwise not to my taste. I've seen, and owned, a few silver coins through the years that just somehow didn't age very gracefully.
The first coin may be 100% naturally toned but unfortunately (at least in my view) it looks unnatural and unattractive, almost like the burnt edge of my morning newspaper.
However, to be conservative, could I have obverse # 2 paired with reverse # 1? The speckled toning on coin # 2 seems to impair the appearance of the smooth eagle's surfaces, whereas it goes quite well with the oak tree.
I would say that obverse # 1 almost works. I agree with prior comments that it gives the interesting appearance of the oak on a stromy day. However, definitely a coin I would want to examine in person!
Within the limitations of imaging coins I will say that I think both are potentially gorgeous. Yes, I know, I agree with virtually no one here on this one. The obverse of coin one works for me as long as it is toned in deep crimson, green and burnt auburn, however, the blasty appearance of the reverse does not look as attractive since the scattered marks on the eagle stand out so well. The central portion of the obverse also looks somewhat lifeless but this might easily be from the cameral settings to capture the deep toning around the rims. It is surprising that the reverse is so blasty since this issue is known for a thicker patina, in general. Depending on how much luster there actually is on coin two it could be quite special. If it is flat then the coin has very limited eye appeal for me but if it dances in the light then this is the coin I would choose. It is very well balanced and the marks that are no doubt on it are hidden quite well by its speckled toning nature.
To respond to your question I like the first one better; the luster is outstanding with its "storm cloud" appearance. I think the toning on it detracts from it though as it appears so heavy it obliterates the details it covers.
The "peripheral" toning on the 2nd is somewhat better because it highlights the details below it (around the date anyway) BUT the hazy mottled covering of the majority of the coin makes it undesirable for me. It also looks a little weaker in detail but doesn't seem to have the contact marks on the eagle.
Number one looks more fully struck, very lustrous, with a little contact on the reverse.
Number two looks a tad weaker overall without the contact on the reverse and also lustrous, but it seems to be accentuated by the peripheral toning.
Neither coin's toning is very attractive to me, but, between the two it would have to be #1, based on the strength of strike alone. I must admit the obverse of #2 is looking more and more lustrous each time I look at it, but, alas -- that wasn't the deciding factor for me.
If I HAD to pick one, I'd probably go with number 1. Neither one tickles me too much and I'm pretty flexible with what types of toning I find attractive. I would probably want to see them, and if they were a bargain, pricewise, I may bite, but only if I had already walked the floor and had come up empty handed. Sorry.
*Those comments are going by the scans, which may be a mistake.
I don't think the scans show either the best or worst elements necessary to determine the true eye appeal of the two coins. However, there is something about the color and luster beneath both, that is capturing.
Number one, could have some vibrant toning, not perfectly balanced, but nonetheless, the greens, golds and magentas could jump out. The shape of the toning at both bottom and top of the obverse is unusual, but coincedently appealing. The very dark color may not be brownish. It may be a nice combination of blues and reds. Rev looks like it has some hits.
Number 2 looks like it could be clean, but it's hard to tell. Tough to determine strike, as well. The, what looks like brownish speckling, may not be too bad, ie., birdsh!t. (The birds may have had just a light snack of berries.) The color of the speckling, along with the rim color, may be a very nice burgundy.
This is really a tough one, Mark. Good post. I don't think I'd take either as my #1 Conn., but I'd enjoy both. If I HAD to choose without seeing the coins, I'd probably go for the second coin. Tough choice for me though.
If the second one had only the rim toning I would pick that one. I don't like all the specles. The first one does not look right. I would prefer it if the toning was more concentric than looking like low tide coming out from the top and the bottom.
I would much rather have #1..... The nice copper/gold/and burnt orange fits the "picture" of this coin.....a big old swamp oak! Love it! The reverse being blast white, appears to have very nice luster! Really makes the eagle stand out IMO!
#2 doesn't do much for me.....not a speckeled toning fan.
Always interesting to "see" others opinions/taste when it comes to toning! Thanks Mark!
I'd go for the first one. They're both original. I like the first one because you can make out the design better. The toning on neither is thrilling to me, though.
Boy, it sure is nice to be reading and writing just about coins.
Actually the first one is kind growing on me. Dirt on the bottom, storm clouds on the top.
Comments
-Jarrett Roberts
Looking for Nationals, Large VF to AU type, 1928 Gold, and WWII Emergency notes. Also a few nice Buffalo Nickels and Morgan Dollars.
Monty...
The first one looks like the charter oak on a very stormy day. Perhaps the day that the brits searched but couldn't find the charter they were so badly seeking.
The second one has nicer overall eye appeal to me.
and it sets us apart from practitioners and consultants. Gregor
I would take the bottom one.
Fred
Fred
Joe
i still say mine is a 66...the one youre showing appears to be a 67 lock
Go BIG or GO HOME. ©Bill
I will have some comments on Monday, after forum members who care to, have posted their thoughts/opinions.
and it sets us apart from practitioners and consultants. Gregor
Coin #1 looks like a tree sitting in front of an African sunset backdrop.
Coin #2 has that dreamy, creamy luster to it.
For some life lasts a short while, but the memories it holds last forever.
-Laura Swenson
In memory of BL, SM, and KG. 16 and forever young, rest in peace.
peripheries or some typ of light rainbow toning as seen on Morgan Dollars. The purpose of light
toning is to bring out the beauty(if any), of the design. For the record, I do not like either coin,
and I am unable to choose between them, due to my distaste for both of them.
My personal favorate is a light even golden toning ,with a strong strike, and a deep luster
shinning thru.
Camelot
(BTW I’ve got two in stock, both PCGS MS-65. One is nice; the other is REALLY nice for the grade.)
and since they both need a good dip, also think the second coin would come out better from that, the toning on the tree side of the first looks a little thick to dip off very will, luster might be impeded.
Liberty: Parent of Science & Industry
Reminds me of the time I had an Abott-and-Constello-routine-meets-numismatics experience while lot viewing at Heritage's Dallas office. I requested to see a 1786 Vermont Landscape I knew they had in their inventory and the guy there kept asking me if I wanted the NGC or PCGS example in MS65 - I think we went back and forth 11 times before either of us knew what the heII the other was talking about.
But as long as I'm here - that first coin scares me. I agree with Bill Jones' comment - I personally wouldn't accept number 1 as a 'healthy' coin.
<< <i>The best toning for a commem is either a nice light even toning ,darkening somewhat around the..... >>
What you are talking about (and I'm sure you realize this Bear) is personal preference.
A thread like this makes me see just how out of step I seem to be as concerns certain types of toning. As in, there is no appreciation for certain types of toning that I seem to appreciate.
In person, I believe I would prefer the second coin. I like the satiny original luster, I like the crescent of toning on the obverse. Yes, it's that dreaded word "original" that seems to send up so many flags.
But, in my life outside of numismatics I gravitate to a lot of art that doesn't seem to win the popular vote either.
Singapore-- amazing how one can actually see a curled lip in the written word. I take it commemoratives aren't your cup of tea. Roll on Columbia.
Mark-- Interesting, cool pieces... thanks for the show.
Clankeye
but I think that you are a MS-70 grade of person.
Camelot
I would like to think that I have come by this appreciation of toning through experience and observation. The alternative is that I wouldn't know a good coin if it bit me in the arse. In the wee, dark hours of the night even the most confident, occasionally must doubt.
Thank you for the compliment, Bear. If I write another "Good Morning Class" thread, I promise I'll hook you up with Lucy again.
Clankeye
<< <i>If I write another "Good Morning Class" thread, I promise I'll hook you up with Lucy again. >>
Oooby Dooby, She's my Rock'n Roll Ruby, Good Golly Miss Molly and Be Bop A Lula!!!!!!!!
"Senorita HepKitty"
"I want a real cool Kitty from Hepcat City, to stay in step with me" - Bill Carter
Actually I used to collect them years ago and don't dislike them per se -
And I absolutely agree with you to the extent that I really prefer a nice original toned piece as opposed to one that was blasted white a week ago in someone's kitchen.
But subjectively I'd say that silver doesn't always mellow in an attractive pattern - sometimes its blotchy or otherwise not to my taste. I've seen, and owned, a few silver coins through the years that just somehow didn't age very gracefully.
The first coin may be 100% naturally toned but unfortunately (at least in my view) it looks unnatural and unattractive, almost like the burnt edge of my morning newspaper.
However, to be conservative, could I have obverse # 2 paired with reverse # 1? The speckled toning on coin # 2 seems to impair the appearance of the smooth eagle's surfaces, whereas it goes quite well with the oak tree.
I would say that obverse # 1 almost works. I agree with prior comments that it gives the interesting appearance of the oak on a stromy day. However, definitely a coin I would want to examine in person!
Mark- aka- Coinguy1-- Whatever you do, DO NOT post a picture of that Cincinnati I asked about.
Clankeye
In honor of the memory of Cpl. Michael E. Thompson
really the first one would be my choice of that pair.
President, Racine Numismatic Society 2013-2014; Variety Resource Dimes; See 6/8/12 CDN for my article on Winged Liberty Dimes; Ebay
The "peripheral" toning on the 2nd is somewhat better because it highlights the details below it (around the date anyway) BUT the hazy mottled covering of the majority of the coin makes it undesirable for me. It also looks a little weaker in detail but doesn't seem to have the contact marks on the eagle.
Number one looks more fully struck, very lustrous, with a little contact on the reverse.
Number two looks a tad weaker overall without the contact on the reverse and also lustrous, but it seems to be accentuated by the peripheral toning.
Neither coin's toning is very attractive to me, but, between the two it would have to be #1, based on the strength of strike alone. I must admit the obverse of #2 is looking more and more lustrous each time I look at it, but, alas -- that wasn't the deciding factor for me.
*Those comments are going by the scans, which may be a mistake.
LSCC#1864
Ebay Stuff
However, there is something about the color and luster beneath both, that is capturing.
Number one, could have some vibrant toning, not perfectly balanced, but nonetheless, the greens, golds and magentas could jump out. The shape of the toning at both bottom and top of the obverse is unusual, but coincedently appealing.
The very dark color may not be brownish. It may be a nice combination of blues and reds. Rev looks like it has some hits.
Number 2 looks like it could be clean, but it's hard to tell. Tough to determine strike, as well. The, what looks like brownish speckling, may not be too bad, ie., birdsh!t. (The birds may have had just a light snack of berries.) The color of the speckling, along with the rim color, may be a very nice burgundy.
This is really a tough one, Mark. Good post.
I don't think I'd take either as my #1 Conn., but I'd enjoy both.
If I HAD to choose without seeing the coins, I'd probably go for the second coin. Tough choice for me though.
I hate it when you see my post before I can edit the spelling.
Always looking for nice type coins
my local dealer
09/07/2006
The nice copper/gold/and burnt orange fits the "picture"
of this coin.....a big old swamp oak! Love it!
The reverse being blast white, appears to have very nice luster! Really makes the
eagle stand out IMO!
#2 doesn't do much for me.....not a speckeled toning fan.
Always interesting to "see" others opinions/taste when it comes to toning!
Thanks Mark!
Ideas on what caused the toning on #1??
Check out my PQ selection of Morgan & Peace Dollars, and more at:
WWW.PQDOLLARS.COM or WWW.GILBERTCOINS.COM
We'll use our hands and hearts and if we must we'll use our heads.
(And a Connecticut is a slightly tougher issue to find blast white...at least I haven't found too many yet.)
09/07/2006
top coin is different then the bottom coin, as the bottom one has much more luster and life to it.
It has the color, luster, strike and the LOOK of the very highest in quality and beauty.
Now back to the question at hand of the two terrible examples first listed, I would select #2.
My reasons being that it probably appears much nicer in real life and would have a less startling
differation between the ugly toning and the bright coin surface. The second coin would have the
more even and pleasing appearence.
Camelot
Which one do you like better, and why?
and it sets us apart from practitioners and consultants. Gregor
Experience the World through Numismatics...it's more than you can imagine.
09/07/2006
and it sets us apart from practitioners and consultants. Gregor
Boy, it sure is nice to be reading and writing just about coins.
Actually the first one is kind growing on me. Dirt on the bottom, storm clouds on the top.
adrian